Brahms: Piano Concertos Nos. 1

Brahms: Piano Concertos Nos. 1 & 2 - Garrick Ohlsson (2013)  

Posted by peotuvave at April 13, 2014
Brahms: Piano Concertos Nos. 1 & 2 - Garrick Ohlsson (2013)

Brahms: Piano Concertos Nos. 1 & 2 - Garrick Ohlsson (2013)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 368 MB
Genre: Classical | Label: Abc Classics | Catalog Number: 4810409

There's nothing revelatory in this live recording of Brahms' two piano concertos by an American pianist, Japanese conductor, and Australian orchestra. That is, except for the music itself. Pianist Garrick Ohlsson, with an octave-and-a-half reach equal to Brahms' own, has the power for the titanic Beethovenian gestures of the Piano Concerto No. 1 in D minor, Op. 15, and for its foot-stomper of a finale, which is as good a place as any for the neophyte classical listener to start. Ohlsson is equally adept in catching the spacious and subtle dimensions of the second concerto, which one Viennese critic termed a symphony with piano obbligato.

Brahms Piano Concertos Nos. 1 & 2  

Posted by platico at Aug. 29, 2009
Brahms Piano Concertos Nos. 1 & 2

Brahms · Piano Concertos Nos.1 & 2 · Vladimir Ashkenazy · Concertgebouw Orchestra · Vienna Philharmonic Orchestra · Bernard Haitink
APE+CUE 384 MB | Booklet | MP3 HQ 165 MB | Scans | EASY CD-DA 12 | No Log | 1983/1984

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)  Music

Posted by tirexiss at Dec. 3, 2016
Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)
EAC | FLAC (image+.cue, log) | Covers Included | 81:52 | 362 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 459684

Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
Lars Vogt & Royal Northern Sinfonia - Beethoven: Piano Concertos Nos. 1 & 5 (2017)

Lars Vogt & Royal Northern Sinfonia - Beethoven: Piano Concertos Nos. 1 & 5
XLD Rip | FLAC (tracks)+cue, log, d. booklet| 73:34 min | 260 MB
Label: Ondine | Tracks: 06 | Rls.date: 2017
Classical, Romantic

Lars Vogt continues his Ondine recordings with a new cycle of Beethovens Piano Concertos. Conducting the Royal Nothern Sinfonia from the keyboard Lars Vogt shows the brilliance and the beauty of these two majestic works of the classic piano concerto literature. Beethoven made an early reputation for himself as a keyboard player. Piano Concertos Nos. 1 & 5 feature two opposite sides in Beethovens career: the 1st concerto is a masterpiece by a young composer in his 20s who is already looking into new dimensions of musical expression.
Lars Vogt & Royal Northern Sinfonia - Beethoven: Piano Concertos Nos. 1 & 5 (2017)

Lars Vogt & Royal Northern Sinfonia - Beethoven: Piano Concertos Nos. 1 & 5
Classical | MP3 CBR 320 kbps | 73:34 min | 170 MB
Label: Ondine | Tracks: 06 | Rls.date: 2017

Lars Vogt continues his Ondine recordings with a new cycle of Beethovens Piano Concertos. Conducting the Royal Northern Sinfonia from the keyboard, Lars Vogt shows the brilliance and the beauty of these two majestic works of the classic piano concerto literature.
Boris Giltburg, Rhys Owens, RLPO, Vasily Petrenko - Shostakovich: Piano Concertos Nos. 1 & 2; String Quartet No. 8 (2017)

Dmitri Shostakovich: Piano Concertos Nos. 1 & 2; String Quartet No. 8 (2017)
Royal Liverpool Philharmonic Orchestra; Vasily Petrenko, conductor
Boris Giltburg, piano; Rhys Owens, Trumpet

EAC | FLAC | Image (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 171 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.573666 | Time: 01:09:45

Shostakovich’s two Piano Concertos span a period of almost thirty years. The youthful First Piano Concerto is a masterful example of eclecticism, its inscrutable humour and seriousness allied to virtuoso writing enhanced by the rôle for solo trumpet. Written as a birthday present for his son Maxim, the Second Piano Concerto is light-spirited with a hauntingly beautiful slow movement. With the permission of the composer’s family, Boris Giltburg has arranged the exceptionally dark, deeply personal and powerful String Quartet No. 8, thereby establishing a major Shostakovich solo piano composition.
Yevgeny Sudbin - Beethoven: Piano Concertos Nos. 1 & 2 (2017) [Official Digital Download 24/96]

Yevgeny Sudbin - Beethoven: Piano Concertos Nos. 1 & 2 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 63:16 minutes | 996 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

On two previous discs, Yevgeny Sudbin and Osmo Vänskä have released Beethoven’s three last piano concertos to critical acclaim. Distinctions include Editor’s Choice in Gramophone and top marks from the Italian magazine Musica and the German website Klassik-Heute.de, and performances have been described as ‘electrifying’ (classicfm.com), ‘absolutely stunning’ (Fanfare) and ‘a Beethoven experience you will not want to miss’ (ClassicsToday.com). For the final disc in their cycle, Sudbin and Vänskä have travelled to Helsinki to team up with Tapiola Sinfonietta, one of the top Nordic ensembles, and well suited for these earlier and more classical of Beethoven’s concertos.
Evgeny Kissin, Berlin Philharmonic Orchestra, Claudio Abbado - Prokofiev: Piano Concertos Nos. 1 & 3 (1994)

Evgeny Kissin, Berlin Philharmonic Orchestra, Claudio Abbado - Prokofiev: Piano Concertos Nos. 1 & 3 (1994)
EAC | FLAC (image+.cue, log) | Covers Included | 00:42:27 | 177 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439898

The young Kissin was able to work wonders in Prokofiev–above all the Sixth Sonata (Kissin in Tokyo - Yevgeny Kissin). Regrettably, the mature Kissin recently delivered highly disappointing live performances of the Second and Third Concertos (Prokofiev: Piano Concertos Nos. 2 & 3), indeed, regardless of the predictable rave in the British press. This 1994 recording of the First and Third Concertos is unquestionably very good, especially the youthful First, although competition is very strong–from Graffman/Szell (Prokofiev: Piano Concertos Nos. 1 & 3) and Argerich/Dutoit (Prokofiev: Piano Concertos Nos. 1 & 3 / Bartok: Piano Concerto No. 3) in this coupling, and from the complete sets by Berman/Gutierrez/Järvi, Toradze/Gergiev and Krainev/Kitaenko.
Boris Giltburg - Shostakovich: Piano Concertos Nos. 1 & 2 & String Quartet No. 8 (2017)

Boris Giltburg - Shostakovich: Piano Concertos Nos. 1 & 2 & String Quartet No. 8
Classical | WEB FLAC (tracks) & d. booklet | 69:36 min | 236 MB
Label: Naxos | Tracks: 13 | Rls.date: 2017

Shostakovich’s two Piano Concertos span a period of almost thirty years. The youthful First Piano Concerto is a masterful example of eclecticism, its inscrutable humour and seriousness allied to virtuoso writing enhanced by the rôle for solo trumpet. Written as a birthday present for his son Maxim, the Second Piano Concerto is light-spirited with a hauntingly beautiful slow movement. With the permission of the composer’s family, Boris Giltburg has arranged the exceptionally dark, deeply personal and powerful String Quartet No. 8, thereby establishing a major Shostakovich solo piano composition.
Anna Malikova, Torino Philharmony Orchestra, Julian Kovatchev - Chopin: Piano Concertos Nos. 1 & 2 (2004)

Anna Malikova, Torino Philharmony Orchestra, Julian Kovatchev - Chopin: Piano Concertos Nos. 1 & 2 (2004)
MP3 (CBR 320 kbps) | Covers Included | 71:48 | 178 MB
Genre: Classical | Label: Classical Records

Uzbek-born pianist Anna Malikova is best known for her interpretations of music by Chopin. She has performed and recorded both concertos, the complete etudes, preludes, and impromptus, and numerous individual solo works. But Malikova is hardly a specialist: she plays a wide range of compositions, taking in large segments of the outputs of J.S. Bach, Soler, Mozart, Beethoven, Schubert, Liszt, Saint-Saëns, Rachmaninov, Prokofiev, and Shostakovich. She has toured extensively throughout Europe, Asia, Australia, and South America, and has performed with many of the world's leading ensembles, including the Academy of St. Martin-in-the-Fields, and the major orchestras of Warsaw, Moscow, Sydney, Oslo, Tashkent, and others.