Firma Melodiya presents recordings of Brahms and Prokofiev concertos performed by Natalia Gutman and Oleg Kagan. One of the worlds best cellists, a Peoples Artist of the USSR, and an owner of the State Prize of Russia, Natalia Gutman received four competition prizes when she was a student.
“This disc represents a major expansion in repertoire … excellently played and recorded“ (Fanfare)
Ginette Neveu (11 August 1919 – 28 October 1949) was a famous French classical violinist who was killed in a plane crash at the age of 30. At age 16, Ginette Neveu achieved worldwide celebrity status when she won the Henryk Wieniawski Violin Competition over 180 contestants, including the future virtuoso David Oistrakh, who finished second, and Henri Temianka, who finished third. Édith Piaf wrote of Neveu in her autobiography: "I would have traveled thousands of miles to hear the great Ginette Neveu…."
As well as Brahms’ 175th birthday in 2008 inspired these recordings in the “Kunsthaus” in Mürzzuschlag. Ronald Fuchs and Chanda VanderHart play, in addition to the two cello sonatas, six Brahms lieder transcriptions in their original keys. The lieder selected have a special connection to both the Streicher piano and with Mürzzuschlag itself. Brahms played severel of them, including “Wie Melodien zieht es mir” with Hermine Spies, and composed both “Sapphische Ode” and “Der Tod, das ist die kühle Nacht” during his time in Mürzzuschlag.
Traditionalists may rue the day, but the historical performance movement has come to Chopin, and it's clear it has a lot to offer in this release by Argentine pianist Nelson Goerner and the veteran Orchestra of the Eighteenth Century under Frans Brüggen. Goerner plays an 1849 Erard instrument, some 20 years younger than the music of the youthful Chopin that's on the program, but arguably representative of a sound ideal he would have had in his head.