The title Three Guitars in Bossa Nova Time is misleading in that only two guitars in any instance play the material, while tenor saxophonist Bob Enevoldsen is more important to the overall sound of the music than any other performer. In the main, Herb Ellis and Laurindo Almeida take charge on most of the songs, certainly all bossa novas and light sambas, accompanied by the pianist Donn Trenner (who worked on television with Steve Allen), bassist Bob Bertaux, lesser-known percussionists Bob Neel or Chico Guerrero, the more famous Milt Holland, and guitarist Johnny Gray on three tracks in place of Almeida…
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the greatest albums of Brazilian jazz that Bud Shank ever recorded — done with a style that's a lot more like some of the best bossa albums from Rio at the time! Bud's recorded in other bossa settings before — but there's something about this record that really gets the whole thing right — as Shank's alto and flute come into play with a killer combo that includes Clare Fischer on piano, Larry Bunker on vibes and drums, Joe Pass on guitar, and Milt Holland and Chuck Flores on percussion.
A byproduct of the bossa nova fad that followed the success of "Desafinado" (and preceded the famous recording Getz/Gilberto), this set finds Quincy Jones utilizing and exploiting bossa nova rhythms in his arrangements for a big band. The personnel includes flugelhornist Clark Terry, altoist Phil Woods, pianist Lalo Schifrin, guitarist Jim Hall, and (on "Soul Bossa Nova") the remarkable Rahsaan Roland Kirk.
Katie Derham travels to Rio de Janeiro (where her father was born) to explore the story behind Brazil's most famous and enduring song. Written in 1962 by Antonio Carlos Jobim with lyrics by Vinicius de Moraes, with a later English translation by Norman Gimbel, The Girl from Ipanema defines the moment Brazil charmed the world stage with a laidback song about a haunting woman.
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. A sublime little set all the way through – an early 60s date from the west coast scene – and one that was almost as important to that side of the country as the Verve bossa records were to New York! Bud Shank's in the lead on alto sax – no flute at all this time around – blowing sharp and soulfully, in a way that's even more deft than most of his other albums! But the equal star here is the young Clare Fischer – who plays piano in the group, and also contributed a host of original tunes to the set – fresh numbers that are way different than the usual "bossa-ized" standards, or American remakes of Brazilian classics. Ralph Pena is a key member of the group on bass – and Larry Bunker plays some vibes as well. Titles include "Joao", "Pensativa", "Samba Guapo", "Samba Da Borboleta", and "Que Mais?".
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. A lost bossa classic from Wanda De Sah – aka Wanda Sa, the wife of Edu Lobo, and a singer who worked with Sergio Mendes in his pre-Brasil 66 days! The album's got a wonderfully laidback feel – languid, yet jazzy, with the feel of some of Astrud Gilberto's best work on Verve, yet with vocals that are possibly better – thanks to Wanda's pedigree in Brazilian pop. Recordings were done in California, not Rio – and arrangements are handled by the great Jack Marshall – who's got a strong ear for keeping things interesting with a mix of strings, Latin rhythms, and Capitol pop shadings.