Like Ike & Tina Turner, the Ikettes had a pretty confusing recording career, releasing numerous discs for several labels and enduring several lineup changes. They did, however, settle at Modern for a while in the mid-'60s, releasing six singles and one LP for the company. This 27-track compilation includes all of that material, as well as some solo recordings by Ikettes Venetta Fields and Flora Williams (aka Delores Johnson), adding quite a few outtakes and alternate takes not issued in the '60s. It's not, it should be a clarified, a greatest-hits compilation; it doesn't include anything not recorded for Modern, which means it doesn't have their biggest hit, 1962's Top 20 single "I'm Blue (The Gong-Gong Song)" (released on Atco), though it does have their only other Top 40 pop entry, 1965's "Peaches 'n' Cream."
The Complete Wooly Bully Years 1963-1968 includes six albums on three CDs plus bonus recordings, including non-LP singles. The quintessential Tex-Mex band of the 1960s, Sam The Sham And The Pharaohs hailed from Dallas, Texas where Domingo "Sam" Samudio was born in 1937 and raised. After chart success eluded them after recording Haunted House for the Dingo label in 1965 they landed a contract with MGM Records, home of such rock 'n' roll artists as Roy Orbison, The Animals, and Herman's Hermits…
"The set also includes two magnificent Kubelík recordings from the 1960s with Bavarian Radio forces. Schoenberg's Gurrelieder (with tenor Herbert Schachtschneider as a vocally heroic Waldemar) is superbly played and sung, and Kubelík's conducting is as dramatically involving as any. It sounds better than ever in this latest mastering. Finally, there is utter enchantment: the 1964 recording of Mendelssohn's music for "A Midsummer Night's Dream" (with Edith Mathis and Ursula Boese as soloists), prefaced by a fascinating rehearsal of the Overture, released here for the first time. The booklet includes excellent notes and photographs" ~International Record Review
Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 is an anomaly among the retrospective sets that have been issued from the late artist's catalog. It does not focus on particular collaborations (Miles with Coltrane, Gil Evans, the second quintet), complete sessions of historic albums (Bitches Brew, In a Silent Way, and Jack Johnson), or live runs (Plugged Nickel and Montreux). Instead, it is a portrait of the artist in flux, in the space between legendary bands, when he was looking for a new mode of expression, trying to find the band that would help him get there. These seven CDs begin after the demise of bands that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, Jimmy Cobb, and Wynton Kelly, after his landmark Gil Evans period, and even after his attempts at creating a new band with everyone from Frank Strozier and Harold Mabern to Sonny Rollins and J.J. Johnson.
2007 four CD retrospective that highlights their years spent with EMI Records, 1963-66 featuring seven previously unreleased recordings. The band was started by Mike Hugg and Manfred. They were Jazz musicians but it didn't pay the bills so they decided to form an R&B band. They recruited a group of similarly under-employed Jazz players and then held auditions for a singer or "shouter" as it was described to Paul Jones who eventually got the job. The line up was completed by Mike Vickers and Tom McGuiness. Jones's harmonica gave the group their distinct sound and they soon became one of Britain's leading bands of the '60s. They hit the top 10 regularly with hits like '5-4-3-2-1', 'Do Wah Diddy Diddy', 'Sha La La', Come Tomorrow, 'If You Gotta Go, Go Now' and 'Pretty Flamingo'. Booklet contains sessionography and illustrated discography. 97 tracks.