A devoted disciple of Falla, Ernesto Halffter (less avant-garde a composer than his older brother Rodolfo or his more famous nephew Cristobal) gave up so much of his time and energy to the colossal task of making sense of, and completing, his mentor’s Atlantida that his own output remained modest, consisting chiefly of a chamber opera, ballets, concertos for violin and for guitar, and a handful of other works. The first of his Esquisses symphoniques (written before he was 20), the exuberant “Chanson du lanternier”, is heavily indebted to early Stravinsky: more individual (though with Debussian overtones) and very impressive both for its orchestral writing and its eloquence, is the second, “Paysage mort”. But it was his sizeable Sinfonietta, completed shortly afterwards in 1925, which really attracted attention at home and abroad. There have been three or four previous recordings of it (including the very last recording – on Spanish Columbia – made by the conductor Ataulfo Argenta), but none are currently in the catalogue.
You Gotta Go There to Come Back is the fourth studio album by alternative rock band Stereophonics. Produced by Kelly Jones and released on V2 in 2003. This album is the only Stereophonics record which features both Stuart Cable and Javier Weyler. You Gotta Go There to Come Back joined its predecessors at #1 on release. It was re-issued with bonus tracks in February 2004, coming into the UK charts again at #35, finally re-entering at #16 in September 2004. It was the 28th biggest selling album of 2003 in the UK. The track "Maybe Tomorrow" became one of their biggest hits; it was played over the credits of the Academy Award-winning movie Crash (2004) and also during the opening scene of the film Wicker Park (2004)…
"Stages" is a cover album by English recording artist Melanie C. The record is Chisholm's sixth studio album, and the fourth to be made under her own independent record label Red Girl Records. The album features a collection of song covers from various musical theatre shows and films, which consequently makes it Chisholm's first studio album where she holds no writing credits whatsoever to any of the tracks. The iTunes digital release of the album features a bonus track; a cover of Cole Porter's "Anything Goes".
During the hot summer of 1943 in the devoutly Catholic Moravian village of Lakotice (Czech for "stingy"), it falls to the new stranger, Protestant blacksmith Baran (the word for "ram"), to rid the town of Nazi collaborator and unrepentent bastard Sekal (which means "he was cutting"). Following his lauded 1996 drama Forgotten Light, director Vladimir Michalek continues his symbolic yet restrained probing of religion, complicity and betrayal in a rural setting, with the unexpected but triumphant addition of formal genre elements (gorgeous vistas, calibrated performances) straight out of Shane or early Clint Eastwood. "Evil has no weak spots," says the town's conflicted priest before the ritualized and inevitable finale, and neither does this provocative, masterful exploration of faith under stress – the Czech Republic's official Oscar submission – from one of the country's most accomplished contemporary filmmakers.