Boccherini Op.13 No.5

The Meccano Magazine - VOL.13 No.5 May 1928  Magazines

Posted by SSCN1926 at Oct. 31, 2014
The Meccano Magazine - VOL.13 No.5 May 1928

The Meccano Magazine - VOL.13 No.5 May 1928
English | 92 Pages | PDF | 26.27 Mb

Luigi Boccherini - Strin Quartets, Vol3  Music

Posted by alekhno at Feb. 5, 2009
Luigi Boccherini - Strin Quartets, Vol3

Luigi Boccherini - 6 String Quintets, Op.13
Classical | WavPack | 2 CD | Covers | 550 Mb | rs.com | 2007
Accademia della Magnifica Comunità
The English Concert, Trevor Pinnok - Handel: Concerti Grossi, Op. 6, Nos. 5-8 (1982)

The English Concert, Trevor Pinnok - Handel: Concerti Grossi, Op. 6, Nos. 5-8 (1982)
EAC | FLAC (image+.cue, log) | Covers Included | 60:35 | 342 MB
Genre: Classical | Label: ARCHIV Produktion | Catalog: 410898

Handel's Concerti Grossi opus 6 must surely be ranked as some of the greatest orchestral music ever composed. Probably penned in or around 1739, the pieces were developed to serve as orchestral "interludes" for other operatic or oratorio performances. To listen to them, however, is to tempt us not believe that this could possibly be the case: the Concerti Grossi opus 6 works are without doubt among the pinnacle of Baroque composition. After listening to these, we are left with a distinct sadness that Handel did not turn his attention more to this genre, as his masterful treatment in the opus 6 shows us his true genius.
Haydn - String Quartets, Op.71 No.3, Op.74, Op.76, Op.77, Op.103 (The Aeolian String Quartet) (2009)

Haydn - String Quartets, Op.71 No.3, Op.74, Op.76, Op.77, Op.103 (The Aeolian String Quartet)
Classical | DECCA 478 1267 | 2009 | TT: 70:59+76:08+72:50+75:00 | EAC (FLAC, cue, log) | Covers | 1.34 Cb

The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)
Haydn - String Quartets, Op.55 Nos.2-3, Op.64, Op.71 No.1-2 (The Aeolian String Quartet) (2009)

Haydn - String Quartets, Op.55 Nos.2-3, Op.64, Op.71 No.1-2 (The Aeolian String Quartet)
Classical | DECCA 478 1267 | 2009 | TT: 69:55+77:10+57:05 | EAC (FLAC, cue, log) | Covers | 945 Mb

The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)
Haydn - String Quartets, Op.50 Nos.2-6, Op.54, Op.55 No.1 (The Aeolian String Quartet) (2009)

Haydn - String Quartets, Op.50 Nos.2-6, Op.54, Op.55 No.1 (The Aeolian String Quartet)
Classical | DECCA 478 1267 | 2009 | TT: 62:50+62:16+61:00 | EAC (FLAC, cue, log) | Covers | 890 Mb

The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)
Haydn - String Quartets, Op.33, Op.42, Op.50 No.1 (The Aeolian String Quartet) (2009)

Haydn - String Quartets, Op.33, Op.42, Op.50 No.1 (The Aeolian String Quartet)
Classical | DECCA 478 1267 | 2009 | TT: 72:50+73:00 | EAC (FLAC, cue, log) | Covers | 700 Mb

The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)

Ernst Krenek - Symphony No.1, op.7 & No.5  Music

Posted by tapaz9 at Oct. 5, 2013
Ernst Krenek - Symphony No.1, op.7 & No.5

Ernst Krenek - Symphony No.1, op.7 & No.5
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers | 257 Mb
Date: 1995

Ernst Krenek is an up and coming composer the way I hear him. He should be at least ten times more popular than he is. When you listen to his first symphony you can hear the serial roots from which it is inspired. Yet it is far from a cold and calculated work. It is multi-dimensional with both serious and humorous personalities. It is said that Krenek had too many musical personalities in his long career and life (1900-1991). But I like to think ……
Dmitri @Amazon.com
Luis Orlandini - Mauro Giuliani, Le Rossiniane op.119, No.1-6 (1993)

Luis Orlandini - Mauro Giuliani, Le Rossiniane op.119, No.1-6 (1993)
Classical Guitar | FLAC tracks, cue, no log | covers & booklet | ~360 MB / 130 MB (+3%)
Label: CPO 999 103-2

Giuliani composed several sets of potpourri on themes from Rossini operas, all entitled Le Rossiniane. Original listeners could recognize most of the themes, while we can tell them apart by their opus number. Luis Orlandini puts a lot of musical interest into his playing, and he has such a secure technique that he makes the music sound easy.

La Real Cámara - Boccherini: Sei terzettini, Op. 47 (2015)  Music

Posted by SERTiL at July 12, 2017
La Real Cámara - Boccherini: Sei terzettini, Op. 47 (2015)

La Real Cámara - Boccherini: Sei terzettini, Op. 47
Classical | WEB FLAC (tracks) & d. booklet | 63:00 min | 271 MB
Label: Glossa | Tracks: 12 | Rls.date: 2015

Few musicians today possess so much awareness and experience with the music of Luigi Boccherini as Emilio Moreno, or can invest their performances with so much insight. With his ensemble La Real Cámara and for his seventh recording of Boccherini s music for Glossa, Moreno has now turned to the set of six string trios or Terzettini, Op 47 scored untypically for Boccherini for violin, viola and cello written when he was in full maturity both in his compositional activity and in his own skills as a cellist.