Beginning/Intermediate. The blues have contained the very essence of the jazz sound since the 1920s. A player who masters the sound and feel of the blues will play other jazz tunes in a manner that will inspire the listener. Contains 11 different blues melodies and is a natural follow-up to Volume 1 or Volume 21. Tempos are not fast. Presented in various keys with a variety of moods from slow to rock. Chords and scales are written in the staff for each track.
Fine Greek-only premium compilation, released with the music magazine 'Jazz & Tzaz' (Issue 74). From the catalogue of the Blind Pig Records. Includes: Studebaker Jonh, Deborah Coleman, Johnny Shines, Eddy Clearwater, Snooky Pryor, Carey Bell, Debbie Davis, Tommy Castro, Joanna Connor, Jimmy Thackery & The Drivers, Charlie Musselwhite, Frankie Lee, Preacher Boy And The Natural Blues, Eddie C. Campbell, Magic Slim & The Teardrops.
The always eclectic Maria Muldaur, whose previous albums have paid tribute to Shirley Temple and blues women of the '20s, takes another musical detour in this collection of songs associated with Peggy Lee. In addition to her cool, sexy, relaxed voice, Lee was arguably more talented than other vocalists from her era. As a songwriter she co-penned some of her own material, including the swinging "I'm Gonna Go Fishin'" with Duke Ellington, which features the witty double entendres that spice several other songs. Muldaur possesses a similar ability to purr ("Some Cats Know") or sizzle (an opening tour de force of "Fever" and "Black Coffee") without breaking a sweat. So this collection of 12 tracks, backed by a talented yet restrained eight-piece band, is a natural extension of her vocal strengths. The stylish, retro arrangements include vibes and big-band-styled horn charts that sound as authentic as if they were recorded in the '30s. Even though there are some finger-popping swing numbers (a zippy duet with Dan Hicks on Ted Shapiro's "Winter Weather" is especially peppy), a late-night, languid blues-jazz vibe dominates.
L’accompagnement de la guitare au travers des grands courants du Jazz, voici le véritable thème de cette vidéo pédagogique téléchargeable, axée autant sur les diverses techniques de jeu que sur la compréhension harmonique du Jazz en lui-même. Le style New Orleans, pour commencer, permet de comprendre la construction des accords de 3 et 4 sons. L’accompagnement de type Middle reprend cette technique mais en étoffant son vocabulaire d’accords et initie les guitaristes aux accords enrichis.