Koan is the Duo comprised of Daniel Roeth and William Grey, and are based in Moscow, Russia. Daniel had been spinning vinyl since 1993 in local clubs; mainly Acid and Hard Techno. In 1995 he met William, who already had some experience in music making and sampler technologies. Together they founded two projects, "Koan" for Downtempo and "Vacuum Stalkers" for more Progressive/Tech stuff. Daniel soon left his career as a DJ and put all of his energy into the studio work. William took on the role of Sampler Programming/Producer. During 1995-2005 they wrote and recorded a lot of tracks, some of which disappeared in time bubbles and some of which were released and had a lot of success in local Moscow clubs…
Helmed by T-Bone Burnett and Craig Street, the soundtrack to the music-intensive TV crime drama series gets ultra-hip artists to cover songs not necessarily associated with them—all with eerie musical backgrounds that match the program's tone. Unfortunately, the intriguing concept fares better on the small screen than on the big speaker, as artists like Richard Thompson, Lucinda Williams, and Joe Henry, among others, get lost in a uniformly listless production. Exceptions are Wendy Melvoin & Lisa Coleman's original instrumental "Crossing Jordan Themes," the Holmes Brothers' take on Blind Willie Johnson's "You're Gonna Need Somebody on Your Bond," and Alison Krauss' tackling of Blind Faith's "Can't Find My Way Home." Series star Jill Hennessy debuts with Tom Waits' "You're Innocent When You Dream" and Bob Dylan's "It's all Over Now, Baby Blue" and acquits herself well enough.
Dr. Lonnie Smith brings an album with SHM-CD format. On Evolution, Dr. Lonnie Smith returns to the Blue Note Records label with a unique project that enhances his legacy as one of the premier masters of modern music. With three new Smith originals (“For Heaven’s Sake”, “African Suite” and “Talk About This”) and exciting new arrangements of tunes such as Monk’s “Straight No Chaser”, “Play It Back” and “Afrodesia,” The Good Doctor and his cast offer plenty of surprises and invention along with a serious groove.
Lou Rawls has had a long and commercially successful career mostly singing soul, R&B, and pop music. Originally a gospel singer, Rawls' first album as a leader features him performing soulful standards backed by the Les McCann Trio. Few of the songs have been under-recorded through the years, but they sound fresh and lively when sung by Rawls; highlights include "Stormy Monday," "In the Evening," and "I'd Rather Drink Muddy Water." Pianist McCann gets a generous amount of solo space, and the reissue has three bonus tracks. This is still Rawls' definitive recording in the jazz idiom, cut before he went on to more lucrative areas.