Helmed by T-Bone Burnett and Craig Street, the soundtrack to the music-intensive TV crime drama series gets ultra-hip artists to cover songs not necessarily associated with them—all with eerie musical backgrounds that match the program's tone. Unfortunately, the intriguing concept fares better on the small screen than on the big speaker, as artists like Richard Thompson, Lucinda Williams, and Joe Henry, among others, get lost in a uniformly listless production. Exceptions are Wendy Melvoin & Lisa Coleman's original instrumental "Crossing Jordan Themes," the Holmes Brothers' take on Blind Willie Johnson's "You're Gonna Need Somebody on Your Bond," and Alison Krauss' tackling of Blind Faith's "Can't Find My Way Home." Series star Jill Hennessy debuts with Tom Waits' "You're Innocent When You Dream" and Bob Dylan's "It's all Over Now, Baby Blue" and acquits herself well enough.
The third album from Lara And The Bluz Dawgz, “Out Here In The Blue,” contains 11 original numbers written by the husband and wife team, Lara & Gregg Germony, and their cohorts Al Rowe and Carlos Ruiz, with help from Reggie Murray on ‘Smoke Break.’ The recording is produced by Gregg Germony and Jim Schacher, who also recorded, mixed and mastered the album at the Song Closet in Nashville, TN.
The 1987 edition of the Brubeck Quartet featured pianist Brubeck, his son Chris on electric bass and bass trombone, clarinetist Bill Smith and drummer Randy Jones. In addition to remakes of "Blue Rondo à la Turk," "Strange Meadowlark" and "Swing Bells," the leader contributed six new originals including "I See, Satie" and a tribute to Dizzy Gillespie and Stan Getz called "Dizzy's Dream." Bill Smith, who uses electronics with taste on his clarinet during a few songs, has long been a major asset to the later Brubeck Quartets. This is one of their better Concord CDs.
A recording of an historic concert, released for the first time! This 1940 concert was part of a celebration of the 75th anniversary of the end of slavery in the United States. Performing are the legendary Golden Gate Quartet with Josh White, singing Spirituals, Blues and Work Songs. The concert features commentary by Alan Lomax, the poet Sterling Brown, and Alain Locke, the godfather of the Harlem Renaissance. Immediately after this concert, Eleanor Roosevelt engaged White and the Golden Gate to perform at FDR’s inauguration.