Three Blind Mice Blu-spec CD reissue series. Limited paper sleeve edition. Summertime is the seventh album by pianist Tsuyoshi Yamamoto released by the Three Blind Mice label. Virtually unknown when he made his first recording in 1974, he had become one of the most popular jazz pianists by the time of this exciting live recording in 1976.
Three Blind Mice Blu-spec CD reissue series. Limited paper sleeve edition. Blues For Tee is the second of the three albums that came out of the legendary Christmas sessions at the Misty, a Tokyo jazz club, which took place on December 1974. The Three Blind Mice producer Takeshi "Tee" Fujii wanted to record Yamamoto before he left for the U.S. to study at Berklee School of Music, and almost all of the performances were so good that he decided to release three LPs instead of one that was originally planned.
In some ways UK represented both the last hurrah of progressive music's golden age, and the standard by which all other supergroups that followed would be judged. The impeccable technical precision, complex yet modern arrangements, and dynamic live performances made them an overnight legend whose reputation has far outlasted their brief existence. No other supergroup, progressive or otherwise, has had such an immediate and lasting impact. Recorded live September 11, 1978 at Paradise Theatre in Boston, this recording is finally available after long been only found as a bootleg. Two tracks with the original UK line-up, rather than the more familiar 2nd (Danger Money and later) UK line-up.
Lighthouse put out three excellent albums on RCA between 1969 and 1970. They were in the same vein of B.S.&T., Chicago, Ides of March, Chase, and Tower of Power. What set them apart was that they even contained a mini string section within the band. There were eleven musicians that could jam, play awesome ballads, and jazz it up when needed. They perfected some excellent pop tunes that were very radio friendly but their peak moment was their American breakthrough hit, "One Fine Morning",(Billboard #24). It was quite progressive for the fall of 1971, but it climbed the charts in the U.S. and finally gave them due justice and their highest charting hit! (They were already pretty successful in their native Canada) Ironically the song was released on the Evolution label which was extremely small. This album reached #80 on Billboard's album charts and ended up being their most successful album.
White Rabbit is an album by George Benson. The title track is a cover of the famous Great Society/Jefferson Airplane song by Grace Slick.
Macho is an album by Hungarian guitarist Gábor Szabó featuring performances recorded in 1975 and released on the Salvation label. The Allmusic review states "This is a tough, streetwise, commercial jazz album that has plenty to offer to anyone with an open mind. In the pocket, groove-soaked, and flawlessly executed".
Japanese original greatest hits album from Electric Light Orchestra combines the following two albums already released: "All Over The World - The Very Best Of Electric Light Orchestra" (2005) and "Ticket To The Moon - The Very Best Of Electric Light Orchestra Volume 2" (2007). Features Blu-spec CD2 format and contains 40 tracks total on two discs.
Reissue features the high-fidelity Blu-spec CD format (compatible with standard CD players) and the latest remastering. Smooth and silky jazz funk from trombonist Urbie Green – a record that's much more in a mainstream R&B fusion mode than his earlier work – yet also arranged by David Matthews in a soulful style that still keeps things pretty real on the best cuts! The group's a good one for the mellow groove of the material – and includes Mike Mainieri on keyboards, Eric Gale on guitar, Jeremy Steig on flute, and Toots Thielemans laying down a bit of harmonica – all kicking back in classic 70s CTI styles. Titles include the nice modal groover "Mertensia", plus "Manteca", "Foxglove Suite", "Another Star", and "Goodbye".
Reissue features the high-fidelity Blu-spec CD format (compatible with standard CD players) and the latest remastering. Exposing a jazz purist to most recordings involving Fonce and Larry Mizell is much like shoving a vampire into daylight. Gambler's Life, the first of two Johnny "Hammond" Smith albums featuring the brothers' ambitious handiwork, isn't an exception. Watch a purist seek shelter in his dank cave whenever this album is within earshot. Smith switches to Fender Rhodes for most of the material, and the Mizells bring their ARPs, spirited if unpolished group vocal arrangements, wah-wah guitars, and soaring instrumental arrangements made to shine on the dancefloor. Strong throughout, the album runs as efficiently and as sweetly as any other groove-heavy album of its time.
Reissue features the high-fidelity Blu-spec CD format (compatible with standard CD players) and the latest remastering. A brilliant return to Montreux from Bill Evans – working here with a trio that includes some killer bass work by Eddie Gomez! The set's an acoustic one – despite its appearance on electric powerhouse CTI – but Evans' work on the piano has an electricity that's all its own, magically crafting waves and shapes of sound and tone. And despite the CTI setting, there's a nicely spacious sound to the way the album was recorded – one that's got a bit less of the "perfection" than on some of Bill's other 70s live dates – a sense of humanity that comes through wonderfully, and which makes this one a very special record! Titles include "Very Early", "34 Skidoo", "Israel", and "Peri's Scope".