SCARED TO GET HAPPY (A Story Of Indie Pop 1980-1989) was the first box set ever to document the explosion of Indie Pop in Britain across the 1980s. This release is a 5 CD Cherry Red's box set, charting Indie Pop’s development from the post punk era and the dominance of Scottish bands through to its genre-defining C86 period and onto the end of the decade, with the arrival of Madchester and the shoegazing sound.
Funk is a music genre that originated in African American communities in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions used in other related genres and brings a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer to the foreground.
In March 2012, over the course of four nights in four different venues across London, Bonamassa put on a concert event unparalleled in the history of popular music. Each night featured unique set lists and arrangements constructed with a distinct theme in mind – the early power trio jams, the blues, rock and roll, and an acoustic/electric set showcasing Joe's best.
Danish 70's (1971-1974 ) progrock band, a second incarnation of Rainbow Band as it is essentially the same band that had to change their name in July 1971 as a Canadian band had already registered the name and the band was about to release ind the US and UK. As Rainbow Band, a "Supergroup" of danish rock and jazz artists, they releases their selftitled debut album in 1970. The album was re-recorded with new vocalist Allan Mortensen in 1971 and re-released again in the second version under the new band name, Midnight Sun. As Midnight Sun the band released two albums and two singles. Bent Hesselmann went on as a solo artist, releasing the now rare album "Bøsse". Peer Frost left the band to join Savage Rose. Allan Mortensen also persued a solo career.
This 55-CD set chronicles the remarkable Archiv label, begun in 1947. Devoted mainly to early and Baroque music, the recordings presented here, in facsimiles of their original sleeves (a nice touch), cover the period from Gregorian chant to Beethoven’s Fifth and Sixth symphonies, played on period instruments. There are stops in between for a great deal of Bach, music of the Gothic era, the French Baroque (Mouret, Delalande, Rameau, etc), Gibbons, Handel (Alcina, La Resurrezione, Messiah, Italian cantatas), Telemann, Zelenka, Gabrieli, Desprez, Haydn, LeJeune, and plenty of the usual, as well as unusual, suspects. There’s also a final CD with selections of new releases (more Handel, Cavalli, Gesualdo, Vivaldi).