This collection of 78 rpm singles, all recorded on June 6, 1950, was originally issued in album format in 1956. Several things distinguish this from numerous other quintet recordings featuring these two bebop pioneers. It was recorded during the period that Parker was working under the aegis of producer Norman Granz, whose preference for large and unusual ensembles was notorious. The end result in this case is a date that sounds very much like those that Parker and Gillespie recorded for Savoy and Dial, except with top-of-the-line production quality. Even more interesting, though, is Parker's choice of Thelonious Monk as pianist.
Listeners expecting a sequel to to her best-selling 1982 album Straight From the Heart were in for quite a shock. In the two years between the efforts, Rushen became a proponent of the technology-or-bust ethos of many jazz artists in the early to mid-'80s. Given that thinking, Now is both minimal and innovative – with all of its sonic virtues probably not fully appreciated at the time of its release. The album's biggest dance tracks, "Feels So Real (Won't Let Go)" and "Get Off (You Fascinate Me)," are relentlessly polyrhythmic and fulfilling. Rushen, unlike countless other acts, knew how to give synthesizers a sense of panache without the sound seeming artificial. Despite its dancefloor skills, Now also takes time out for affairs of the heart. On "Gotta Find It," the buoyant rhythms belie the desperate lyrics and Rushen's meditative vocals.
An all-star cast assists Maynard Ferguson in this disco-tinged big-band outing. Ferguson's trademark trumpet playing is featured in all its screaming glory, and Mark Colby contributes a couple of high-energy sax solos. "Primal Scream" and "Invitation" sound as though they were lifted right off the mid-'70s disco dancefloor, complete with T.S.O.P.-type strings and pulsing rhythms. "Pagliacci," too, has the disco beat pounding underneath a Jay Chattaway adaptation of an operatic melody, with Bobby Militello featured on an energetic, overblown flute solo. Chick Corea's "The Cheshire Cat Walk" sounds like latter-day Return to Forever, as Corea's synth trades licks with Ferguson's horn over a familiar RTF rhythmic/chordal bassline sequence. The final cut, Eric Gale's "Swamp," stands out because of its reggae beat.
Little Bird is the seventh studio album released by the Australian singer Kasey Chambers, released by Liberation Music in Australia on 17 September 2010. The first single of the album is "Little Bird". The album peaked at number three on the Australian ARIA Charts, becoming Chambers' first album to miss the number one spot since her debut album peaked at number eleven in 1999.