A great change of pace for Billy Taylor – and one of the most striking sessions he made in the 50s! As you'll guess from the title, the record features Taylor's piano along with four flutes – played by Frank Wess, Herbie Mann, Jerome Richardson, and Phil Bodner – working here both in group formation, and in solo mode – fluttering nicely with a cool jazzy sound that really prefaces lots of use of the instrument in the 60s! Another added bonus on the record is added congas from Chano Pozo on most tracks, making for a groovy Latinesque bounce. Titles include "Blue Shutters", "One For The Woofer", "The Song Is Ended", "Back Home", "No Parking", and "Lady Be Good".
Features 24 bit remastering and comes with a mini-description. On One for Fun from 1960, Earl May is back on bass, this time with Kenny Denis on drums. The set has a more contemporary feel than the earlier tracks and features three Taylor originals, including the cool, yet cooking, "A Little Southside Soul." Among the standout tracks, the Rogers and Hart classic "Blue Moon" is transformed by Taylor and company into a vehicle for some of the CD's best solo and group work.
Billy D’s life experience has given him the strength to write his brand of “Bluzy Rock” with a passion that only comes from living it. Heavily influenced by Chicago blues, Rock & Roll, and “Backbeat Roots” music of all types, his songs reflect the tough lessons of his past and show his love for Mother Blues and her first-born, Rock & Roll. Born on the south side of Chicago, Billy Desmond grew up surrounded by the Blues and early Rock & Roll— a powerful combination. He started playing professionally at the age of fourteen, primarily for teen dances and parties; and by eighteen, he was sneaking into the blues clubs of Chicago to hear such greats as Muddy Waters, Junior Wells, Buddy Guy, and James Cotton…
The Greatest Hits Volume III album includes hits from 1983 to 1997. Three previously unreleased studio tracks are included, "To Make You Feel My Love", "Hey Girl", and "Light as the Breeze". All three tracks are covers songs (a rare occurrence in his catalogue), and although "To Make You Feel My Love" and "Hey Girl" were recorded to be singles for this album, Joel originally recorded the song "Light as the Breeze" for a Leonard Cohen tribute album, Tower of Song, released in 1995. Chronologically, Greatest Hits Volume III overlaps slightly with Volume II, as the first two tracks, "Keeping the Faith" and "An Innocent Man", first appeared on his album An Innocent Man.
A collection of 13 studio albums by highly acclaimed Denver, Colorado-based blues guitarist and singer-songwriter.. He is a multi-instrumentalist whose talents include the guitar, banjo, mandolin, harmonica, and vocals.
The Internationale With Live & Dangerous EP & Bonus Tracks. This is the definitive collection that represents all that went into making the original album. The world is indeed an great big onion which can make you cry or if you fry it it'll make your mouth water. Isn't Mother Nature amazing? And as the inhabitants of Esperantovia say, Se vi povas legi ĉi tiu tiame vi estas vere internacia kaj vi havas gajnis la rajton je aĉeti ĉi tiu albumo. Billy Bragg's albums have always contained material with the strong political slant of classic folksingers in the Woody Guthrie/Bob Dylan mold. This release shows him at his most muckrakingly fervent and angry. Only "The Marching Song of the Covert Battalions" has music actually composed by Bragg – and that selection contains a lengthy quote of the tune "When Johnny Come Marching Home."
Features 24 bit remastering and comes with a mini-description. Other than two selections put out on a sampler and the soundtrack from the 1958 Newport Jazz Festival, this LP is quite significant for having the first recordings of Eric Dolphy with the Chico Hamilton Quintet. Dolphy's solos (on alto, flute and bass clarinet) are brief, but he already sounded fairly distinctive. The third version of Hamilton's popular Quintet also included the drummer/leader, cellist Nate Gershman, guitarist Dennis Budimir and bassist Wyatt Ruther. On this album, half of the tunes are played by the basic quintet, while the remaining five songs have an added string section. The West Coast jazz chamber music generally holds one's interest, but has been out of print for some time.