Born and raised in Philadelphia, Grammy Award winner BILLY PAUL began singing at the age of 12 and sometimes performed on local radio shows. Drawing inspiration from his family's collection of 78's, Paul would incorporate Jazz, R&B and Pop into his style, resulting in a unique sound that became synonymous with Philadelphia International Records throughout the 1970's. Billy became well known on his local circuit, singing in clubs and later around college campuses all over the country, which later led to him performing live with some of the biggest names in black music of the 60's and 70's including Dinah Washington, Miles Davis, Nina Simone and Roberta Flack to name a few.
Born and raised in North Philadelphia, PA, Grammy Award Winner, BILLY PAUL began singing at the age of 12 and sometimes performed on local radio shows. Drawing inspiration from his family’s collection of 78’s, BILLY PAUL would incorporate Jazz, R&B and Pop into his style, resulting in a unique sound that became synonymous with Philadelphia International Records.
2012 marks the 40th anniversary of the hugely influential Philadelphia International Records. To mark this, and following our reissue of some of the labels other acts such as the Three Degrees, Harold Melvin & The Blue Notes and the O’Jays, we are pleased to present an album from one of the most identifiable voices of the Philly Sound. Billy Paul is a Grammy Award winning soul singer, most noted for his R&B #1 "Me & Mrs Jones”. EBONY WOMAN is a delightful Gamble & Huff produced 1970 album, which was later re-released in 1973. This BBR reissue sees the original artwork being used for a CD release for the first time.
BBR is proud to bring you UP THE YELLOW BRICK ROAD, the sixth instalment of our Salsoul Orchestra reissues. THE SALSOUL ORCHESTRA was the brainchild of once MFSB member and legendary vibraphonist, Vincent Montana Jr. Formed in 1974, THE SALSOUL ORCHESTRA, house band for the remarkable Salsoul Records, sometimes featured up to 50 members amongst its ranks including a number of former musicians from MFSB. THE SALSOUL ORCHESTRA began an eight-year recording period in 1975 releasing eleven sensational albums during that time featuring production input from, Stan Lucas, Patrick Adams, Bunny Sigler and Tom Moulton through the years.
Few artists can fuse genres as effortlessly as Linda Lewis. Gifted with an incredible 5 octave vocal range, her unique sound contains elements of Folk, Soul, Pop and Rock and has won the admiration of artists from Stevie Wonder to Paul Weller, Jamiroquai and Noel Gallagher, who Linda recently recorded backing vocals for.
BBR are thrilled to present the 40th Anniversary Edition of Circle of Love in a deluxe super jewel case, expanded and remastered, featuring a new interview with Kathy Sledge and ten bonus tracks. The disco era’s most famous “family”, Sister Sledge went from promising success in Europe to phenomenal mainstream success in 1979 with the platinum-selling Nile Rodgers/Bernard Edwards-helmed (Chic) album WE ARE FAMILY. ‘He’s the Greatest Dancer’, ‘Lost in Music’ and ‘We Are Family’ remain classic anthems in disco’s final years before sustaining respectable hits through to the mid-80s.
On December 14, 1999, 300 people squeezed into the Cavern Club in Liverpool to watch Paul MacCartney perform at The Beatles' legendary venue for the first time since 1963. Pink Floyd guitarist David Gilmour and Deep Purple drummer Ian Paice were among the other great musicians joining Paul on stage. You can now view this unique piece of rock 'n' roll history, as well as two of Paul's latest music videos and an interview with him on this special home video release. The atmosphere and the unique occasion combine to make this a fantastic rock event.
In Ghana in the 1950s, Teddy Osei (saxophone), Sol Amarfio (drums), Mamon Shareef, and Farhan Freere (flute) played in a highlife band called The Star Gazers. They left to form The Comets, with Osei's brother Mac Tontoh (born Kweku Adabanka Tonto, 25 December 1940, Kumasi, Ashanti, Ghana died Monday 16 August 2010, at the Korle-Bu Teaching Hospital, Accra, Ghana) on trumpet, and scored a hit in West Africa with their 1958 song "Pete Pete."
Ornette Coleman's epic 1959 LPs The Shape of Jazz to Come and Change of the Century were pivot points in modern post-bop jazz and early creative music. This recording is a prelude to those epics, a live two-night engagement in October of 1958 at the Hillcrest Club in Los Angeles. The Coleman quintet, with trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, plus a then-young pianist Paul Bley, sets up that new shape of jazz. This eight-selection set features three of Coleman's signature originals, two standards, and three lesser-known, fairly rare pieces that Coleman did at the time.
Features altoist Ornette Coleman live in concert shortly after making his first studio sessions. Musicians from what would be the Coleman Quartet (with trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins) are heard at a live gig in Los Angeles under the leadership of pianist Paul Bley.