It could be argued that Billy Currington is enjoying himself just a tad too much on his fourth album. Everything rolls just a little bit too easily, Currington letting his words crawl out in a slow drawl, the tempos never getting any quicker than a shuffle, although things almost get heated on the bluesy closer, “Lil’ Ol’ Lonesome Dixie Town.” It’s such a low-key, lazy record, so consistent in tone that the singsongy chorus of “Love Done Gone” positively blares…..
Although there's an undeniable soft center to A Little Bit of Everything, the title of Billy Currington's third album is accurate: Currington dabbles in a lot of styles here, cranking up some rocking country, singing sentimental schmaltz, getting a bit reflective but mostly spending a lot of time singing mellow country-pop…..
Billy Currington was helped enormously by his duet with Shania Twain on "Party for Two," a new track on her 2004 Greatest Hits album. She had two versions of the song on the record – one cut with Sugar Ray's Mark McGrath for the pop audience, the version with Currington for country fans, and it's not entirely a stretch to say that Currington is a country McGrath: good-looking, likeable, entirely comfortable with selling out so he can reach as big of an audience possible, yet kind of ingratiating because he's not only charming, he's good at it. And his second album, Doin' Something Right proves this….
Double Cream is an outstanding series of famous country hits. 7 Volumes, 14 CDs, almost 300 songs. Carrie Underwood, Brad Paisley, LeAnn Rimes, Blake Shelton and many others.
The Greatest Hits Volume III album includes hits from 1983 to 1997. Two previously unreleased studio tracks are included, "To Make You Feel My Love" and "Hey Girl", while the third new track, "Light as the Breeze", was originally recorded for a Leonard Cohen tribute album known as Tower of Song in 1995. All three tracks are newly recorded covers (a rare occurrence in his catalogue). Chronologically, Greatest Hits Volume III overlaps slightly with Volume II, as the first two tracks, "Keeping the Faith" and "An Innocent Man", first appeared on his album An Innocent Man.
Glyndebourne has a proud association with the operas of Benjamin Britten, however until 2010 had never staged Billy Budd. The all-male opera with a libretto co-written by E.M. Forster, is based on the battle between pure good and blind evil, and is set on a British man-‘o-war ship. Michael Grandage, Artistic Director of the Donmar Warehouse, chose this work to make his long-awaited operatic debut. Sir Mark Elder returned to conduct, marking the 100th opera production in his illustrious career.