Quintessential jazz singer whose reedy voice and laconic style made her a legend for the ages. The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday changed the art of American pop vocals forever. More than a half-century after her death, it's difficult to believe that prior to her emergence, jazz and pop singers were tied to the Tin Pan Alley tradition and rarely personalized their songs; only blues singers like Bessie Smith and Ma Rainey actually gave the impression they had lived through what they were singing. Billie Holiday's highly stylized reading of this blues tradition revolutionized traditional pop…
The complete memorable recordings made by Billie Holiday in 1956-57 backed by a small group including Ben Webster, Harry Edison, Jimmy Rowles and Barney Kessel. A complete Holiday set recorded at Newport during the same period has been added as a bonus. Includes 16-page booklet.
These rare treasures take you all across Billie's career-from '35, the year she debuted at the Apollo and first charted, to '59, the year she died. The stunning early performances include a 20-year-old Billie with Ellington in '35 and a 1937 radio broadcast from the Savoy Hotel in NY with the Basie Orchestra; you'll also hear rare rehearsal tapes, her Monterey '58 performance, songs on The Eddie Condon Show, The Tonight Show, The Steve Allen Show, an impromptu recording of Billie and friends singing My Yiddish Mamma, and more with Art Tatum, Lionel Hampton, Johnny Hodges, Lester Young, Coleman Hawkins and more! Includes 129 tracks: Swing Brother Swing; Fine and Mellow; I'll Get By; Billie's Blues; All of Me; Lover Man; Them There Eyes; You're My Thrill; I Cover the Waterfront; Porgy; Tenderly; God Bless the Child; My Man; Moanin' Low; Ghost of a Chance, and more.
"Lady in Satin", Billie Holiday's penultimate studio album, is both revered and reviled by her fans. Recorded in February 1958, a mere 17 months before her death at the age of 44, it was said to be her personal favorite. These historical recordings show that her voice was ravaged by hard times, alcohol and drugs. Yet, heartache always informed her art, and she delivers here with unequated poignancy twelve songs that she'd never recorded before. We celebrate Billie's Holiday 100th birthday with this new and ultimate edition of "Lady In Satin", In addition to all of the original album tracks, all newly remixed and mastered in 24-Bit, the first CD is enhanced by the presence of three bonus tracks, including for the very first time a true stereophonic version of "The End Of A Love Affair"
This is a rather incredible collection: ten CDs enclosed in a tight black box that includes every one of the recordings Verve owns of Billie Holiday, not only the many studio recordings of 1952-57 (which feature Lady Day joined by such jazz all-stars as trumpeters Charlie Shavers and Harry "Sweets" Edison, altoist Benny Carter, and the tenors of Flip Phillips, Paul Quinichette and Ben Webster). Also included are prime performances at Jazz at the Philharmonic concerts in 1945-1947, an enjoyable European gig from 1954, her "comeback" Carnegie Hall concert of 1956, Holiday's rather sad final studio album from 1959, and even lengthy tapes from two informal rehearsals. It's a perfect purchase for the true Billie Holiday fanatic.