This is a rather incredible collection: ten CDs enclosed in a tight black box that includes every one of the recordings Verve owns of Billie Holiday, not only the many studio recordings of 1952-57 (which feature Lady Day joined by such jazz all-stars as trumpeters Charlie Shavers and Harry "Sweets" Edison, altoist Benny Carter, and the tenors of Flip Phillips, Paul Quinichette and Ben Webster). Also included are prime performances at Jazz at the Philharmonic concerts in 1945-1947, an enjoyable European gig from 1954, her "comeback" Carnegie Hall concert of 1956, Holiday's rather sad final studio album from 1959, and even lengthy tapes from two informal rehearsals. It's a perfect purchase for the true Billie Holiday fanatic.
The complete memorable recordings made by Billie Holiday in 1956-57 backed by a small group including Ben Webster, Harry Edison, Jimmy Rowles and Barney Kessel. A complete Holiday set recorded at Newport during the same period has been added as a bonus. Includes 16-page booklet.
There's a moment on Billie Holiday: The Ultimate Collection when Lester Young slips into his sax solo and the camera zooms in on Billie Holiday's face. Glistening eyes, arching brow and an uncontrollable smile reveal anticipation, awe and admiration. The pair joins an allstar cast including Coleman Hawkins, Roy Eldridge and Gerry Mulligan among others for a 1957 CBS performance of "Fine And Mellow . Earlier, a scene from the 1947 film New Orleans portrays an exuberant Louis Armstrong bursting with delight during "The Blues Are Brewin' while the stunning, gardenia-encrusted Miss Holiday sings by his side. With ten rare performances, the DVD provides an overview of Lady Day's career and provides a glimpse into the singer's persona.
Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 is an anomaly among the retrospective sets that have been issued from the late artist's catalog. It does not focus on particular collaborations (Miles with Coltrane, Gil Evans, the second quintet), complete sessions of historic albums (Bitches Brew, In a Silent Way, and Jack Johnson), or live runs (Plugged Nickel and Montreux). Instead, it is a portrait of the artist in flux, in the space between legendary bands, when he was looking for a new mode of expression, trying to find the band that would help him get there. These seven CDs begin after the demise of bands that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, Jimmy Cobb, and Wynton Kelly, after his landmark Gil Evans period, and even after his attempts at creating a new band with everyone from Frank Strozier and Harold Mabern to Sonny Rollins and J.J. Johnson.
This seven-CD limited-edition box set from Mosaic is another mind-boggling collection. The masterful trombonist J.J. Johnson recorded steadily for Columbia during the 1956-61 period, heading groups that ranged from quartets to sextets that performed solid hard bop. Johnson is joined on various selections by tenors Bobby Jaspar (doubling on flute) and Clifford Jordan; cornetist Nat Adderley; the young trumpeter Freddie Hubbard; pianists Hank Jones, Tommy Flanagan, Cedar Walton, and Victor Feldman; bassists Percy Heath, Wilbur Little, Paul Chambers, Spanky DeBrest, Arthur Harper, and Sam Jones; and drummers Elvin Jones, Max Roach, Albert "Tootie" Heath, and Louis Hayes.
Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.
The most versatile of the R&B-steeped bar bands that played the club circuit in the Pacific Northwest in the early '60s, Paul Revere & the Raiders at their best somehow managed to merge Spike Jones, King Curtis, James Brown, the Byrds, the Beatles, the Beach Boys, the Kinks, and the Rolling Stones into one rollicking pop pastiche. They also had energy, drive, and ambition, and they knew how – and were willing – to play the game. This three-disc, 66-track set collects all of the singles, both A- and B-sides, the group released for Columbia Records between 1963 and 1975.