Bill Frisell Guitar

Bill Frisell - Guitar In The Space Age! (2014) [Official Digital Download 24bit/88,2kHz]

Bill Frisell - Guitar In The Space Age! (2014)
FLAC (tracks) 24 bit/88,2 kHz | Time - 55:13 minutes | 1,12 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Bill Frisell is one of the leading and most innovative guitarists of our time. Although his work is steeped in jazz, his music includes characteristics of rock, country and bluegrass, among various other styles. For his new album, Guitar in the Space Age!, guitarist and composer Bill Frisell mines the catalog of guitar-based music from the 1950s and 1960s that first inspired him to pick up the instrument.
Bill Frisell - Guitar In The Space Age - Maison de la Culture 2014 [HDTV 720p]

Bill Frisell - Guitar In The Space Age - Maison de la Culture 2014 [HDTV 720p]
AVC, 1280x720 (16:9), 2.2 mbps, 25 fps | AAC-LC 2 ch | 01:13:08 | 1.1 GB
Jazz, Fusion, Folk jazz | Mezzo | HDTV->TS

Bill Frisell perfroms compositions from his new album, "Guitar In The Space Age!", at Maison de la Culture, salle Philippe Genty, at Et Le D'Jazz Nevers Festival, France, on November 14, 2014.
Paul Bley / John Surman / Bill Frisell / Paul Motian - The Paul Bley Quartet (1987) {ECM 1365} [Re-Up]

Paul Bley / John Surman / Bill Frisell / Paul Motian - The Paul Bley Quartet (1987) {ECM 1365}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 282MB + 5% Recovery
MP3 CBR 320 Kbps | 144MB + 5% Recovery
Genre: Jazz, Avant-Garde Jazz

This 1987 date teams the iconoclastic pianist with guitarist Bill Frisell, drummer Paul Motian, and British saxophonist John Surman. While it's easy to argue that, with Manfred Eicher's icy, crystalline production, this was a stock date for both the artists and the label, that argument would be flat wrong. Bley was looking for a new lyricism in his own playing and in his compositions. He was coming from a different place than the large harmonies offered by augmented and suspended chords and writing for piano trios. The other band members – two other extremely lyrical improvisers in Surman and Frisell.
Bill Frisell - When You Wish Upon A Star (2016) [Official Digital Download 24bit/96kHz]

Bill Frisell - When You Wish Upon A Star (2016)
FLAC (tracks) 24 bit/96 kHz | Time - 63:31 minutes | 1,31 GB
Studio Master, Official Digital Download | Artwork: Front cover

In When You Wish Upon a Star, guitarist Bill Frisell draws upon the classic film and television music we have heard on screen and how it shapes and informs our emotional relationships to what we see. Frisell, whose own music has been featured in major motion pictures like Finding Forrester and The Million Dollar Hotel performs with singer Petra Haden, violist Eyvind Kang, bassist Thomas Morgan, and drummer Rudy Royston.
Bill Frisell - Richter 858 (2005) {Hybrid-SACD // ISO & HiRes FLAC}

Bill Frisell - Richter 858
SACD ISO (2.0): 1,79 GB | 24B/88,2kHz Stereo FLAC: 790 MB | Full Artwork: 110 MB
Label/Cat#: Songlines # SGL SA1551-2 | Country/Year: Canada 2005 | 5% Recovery Info
Genre: Rock, Avant-Garde, Jazz | Style: Modern Classical, Ambient Rock, Jazz Guitar

"The music from Richter 858 was originally commissioned and recorded to accompany a book of paintings by Gerhard Richter, which was only available in limited quantities back in 2002. Tony Reif of Songlines decided to rescue the recordings from obscurity, and re-released them in early 2005. The band is Frisell on guitar and delay, Eyvind Kang on viola, Jenny Scheinman on violin, and Frisell's old bandmate Hank Roberts on cello. The pieces were directly inspired by a specific painting, and recorded live to two-track with no editing or overdubs."

Bill Frisell - All We Are Saying (2011)  

Posted by mark70 at Sept. 28, 2011
Bill Frisell - All We Are Saying (2011)

Bill Frisell - All We Are Saying (2011)
MP3 320 kbps CBR | 70:49 min | 149 MB
Genre: Jazz, Guitar | Label: Savoy Jazz

Consummate guitarist, composer and musical interpreter Bill Frisell has assembled a trusted ensemble consisting of Jenny Scheinman (violin), Tony Scherr (bass), Greg Leisz (guitars) and Kenny Wollesen (drums) to record his definitive take on the classic songs of John Lennon. Titled "ALL WE ARE SAYING," the project has long been in the works–one could go as far back as the first time he heard the Beatles at the age of 13. Fast forward a few decades and Frisell is asked to put together an impromptu set in honor of John Lennon as part of a special event in Paris.
Bill Frisell - Good Dog, Happy Man (1999) {Nonesuch} [Repost]

Bill Frisell - Good Dog, Happy Man (1999) {Nonesuch}
EAC rip (secure mode) | FLAC+CUE+LOG -> 361 Mb | MP3 @320 -> 149 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb
© 1999 Nonesuch | 7559 79536-2
Jazz / Post Bop / Modern Creative / Guitar

Bill Frisell is like a chef or an alchemist. He brings together the characteristics and properties of diverse players to make one unique amalgam. With GOOD DOG HAPPY MAN, Frisell seeks the common ground between such musicians as bluegrass bassist Viktor Krauss, erstwhile New York downtown jazzbo keyboardist Wayne Horvitz, blue country steel guitarist Greg Liesz, and journeyman rock drummer Jim Keltner. What these very different players have in common is the inability to fit into easily defined categories or molds. Similarly, Frisell's own musical voice draws from all corners of American tradition.
Bill Frisell - Richter 858. Music Of Bill Frisell (2005) {Songlines}

Bill Frisell - Richter 858. Music Of Bill Frisell (2005) {Songlines}
EAC rip (secure mode) | FLAC+CUE+LOG -> 247 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 400 dpi (jpg) -> 49 Mb
© 2005 Songlines | SGL SA1551-2
Jazz / Modern Creative / Guitar / Electronic Jazz


Bill Frisell - Richter 858. Music Of Bill Frisell (2005) {Songlines}

The music from Richter 858 was originally commissioned and recorded to accompany a book of paintings by Gerhard Richter, which was only available in limited quantities back in 2002. Tony Reif of Songlines decided to rescue the recordings from obscurity, and re-released them in early 2005. The band is Frisell on guitar and delay, Eyvind Kang on viola, Jenny Scheinman on violin, and Frisell's old bandmate Hank Roberts on cello. The pieces were directly inspired by a specific painting, and recorded live to two-track with no editing or overdubs.

Bill Frisell - Unspeakable (2004) {Nonesuch Records}  

Posted by ruskaval at July 21, 2010
Bill Frisell - Unspeakable (2004) {Nonesuch Records}

Bill Frisell - Unspeakable (2004) {Nonesuch Records}
EAC rip (secure mode) | FLAC+CUE+LOG -> 421 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 400 dpi (png) -> 106 Mb
© 2004 Nonesuch Records / WEA | 7559-79828-2
Jazz / Post Bop / Modern Creative / Guitar Jazz


Bill Frisell - Unspeakable (2004) {Nonesuch Records}

On UNSPEAKABLE, Bill Frisell blends his distinctively lush, cerebral guitar style with the easy feel of his 1990s Americana-themed albums and a bit of the avant-garde sensibility of his '80s work, while never directly referencing either of these phases. In fact, the overall sound of UNSPEAKABLE is something new for Frisell–with a few notable exceptions, the record leans toward groove-heavy jams. The presence of horns, Adam Dorn's synthesizer, and the 858 Strings (a violin/viola/cello trio employed throughout the album for accent and effect) brings to mind, at times, the orchestrated, cinematic funk of '70s-era Isaac Hayes ("White Fang"), and, at others, '60s lounge music ("Del Close").

Bill Frisell - Nashville  

Posted by georgebukki at Jan. 27, 2009
Bill Frisell - Nashville

Bill Frisell - Nashville
1995 | Avant-Garde Jazz, Post-Bop | mp3 320kbps | 153MB

Bill Frisell is a notable exception. Among jazz guitarists, Frisell is unique in his exploitation of variable timbre. Frisell's sound swells and breathes like a saxophonist's (interestingly, Frisell played clarinet as a child). In many ways his sound is reminiscent of a pedal steel guitar. And although his work is steeped in jazz, Frisell is a man of catholic tastes. His music includes characteristics of rock, country, and bluegrass, among various other styles. Such liberality explains his willingness to expand his tonal palette beyond that of the typical jazz guitarist. Where so many conventional jazz guitarists define themselves by how many notes they can play, Frisell has carved a niche by virtue of his sound. His ability as an original, lyrical player of melody combines with a unique (if much imitated) sound to make him one of the most singular musicians of his generation.