Bill Evans Guitar

Bill Evans - New Conversations (1978) {1996 Warner Archives}  Music

Posted by TestTickles at Nov. 21, 2017
Bill Evans - New Conversations (1978) {1996 Warner Archives}

Bill Evans - New Conversations (1978) {1996 Warner Archives}
EAC Rip | FLAC with CUE and log | scans | 205 mb
MP3 CBR 320kbps | RAR | 113 mb
Genre: jazz

New Conversations is the 1978 album by American jazz pianist Bill Evans, a solo recording where he plays primarily piano but also performs on keyboards. Originally released by Warner Bros., this was remastered and reissued on their Warner Archives division in 1996.
Bill Evans - Another Time: The Hilversum Concert (2017) [DSD128 + Hi-Res FLAC]

Bill Evans - Another Time: The Hilversum Concert (2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 47:50 minutes | 2,15 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 47:50 minutes | 896 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

„Another Time: The Hilversum Concert“ is a rare, never-before-issued recording of the legendary Bill Evans trio featuring Eddie Gomez on bass and Jack DeJohnette on drums, captured live at the Netherlands Radio Union Studios in Hilversum on June 22, 1968. This is only the third known recording in existence of this particular trio, who only performed together as a trio for a six month period in 1968, and was originally recorded and broadcast on the radio program Jazz in Actie by Dutch producer Joop de Roo. For the audiophile, this is possibly the best sounding live recording of Bill Evans found to date, captured with the then state of the art equipment of the NRU, and kept in pristine condition over the years.
Eliane Elias - Something For You - Eliane Elias Sings & Plays Bill Evans (2007) (Repost)

Eliane Elias - Something For You - Eliane Elias Sings & Plays Bill Evans (2007)
EAC Rip | FLAC (image+.cue, log) ~ 317.08 Mb | 63:10 | Scans included
Ethnic Jazz, Contemporary Jazz, Vocal Jazz | Country: Brazil | Label: Blue Note Records (50999 5 11795 26)

Eliane Elias' return to the Blue Note label after a decade working elsewhere is a triumph. This salute to the late pianist Bill Evans, one of her favorite players, explores a number of songs he recorded, including both standards and originals. Evans' bassist from his final trio, Marc Johnson, is not only a long-time collaborator with Elias but also her husband; drummer Joey Baron rounds out the band. While Elias is influenced by Evans' playing style, his arrangements are only a launching pad for her approach to each tune; never does she sound like an obvious Evans clone. Her lush take of "My Foolish Heart" features Johnson on the late Scott LaFaro's bass (the talented Evans sideman who died in a 1961 car wreck just ten days after recording the landmark sets with the pianist at the Village Vanguard).
Miles Davis - Rare Unreleased Broadcasts with John Coltrane, Sonny Rollins and Bill Evans (1952-1958) {Yadeon 502}

Miles Davis - Rare Unreleased Broadcasts with John Coltrane, Sonny Rollins and Bill Evans (1952-1958) {Yadeon 502}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 361 Mb | MP3 @320 -> 153 Mb | Artwork | 5% repair rar
© 1952-1958 Yadeon Canada | 502
Jazz / Bop / Cool / Trumpet

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, together with his musical groups, at the fore front of several major developments in jazz music, including BeBop, Cool Jazz, Hard Bop, Modal Jazz, and Jazz Fusion.

Bill Evans - Escape (1996) {Cream}  Music

Posted by tiburon at Oct. 25, 2015
Bill Evans - Escape (1996) {Cream}

Bill Evans - Escape (1996) {Cream}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 478MB + 5% Recovery
Genre: Smooth Jazz, Jazz-Funk, Jazz Rap

From Miles Davis' Doo-Bop to albums by Greg Osby and Steve Coleman, much of the "jazz/rap fusion" released has been more hip-hop than jazz – essentially, hip-hop with jazz overtones. Bill Evans, however, has featured rappers in much the way a hard bopper would feature a singer – on "Reality" and the poignant, reggae-influenced "La Di Da," rapper Ahmed Best successfully interacts with an actual, spontaneous, improvisatory band instead of merely pre-recorded tracks. Best's rapping style – a cerebral approach akin to De La Soul and A Tribe Called Quest instead of more hardcore rappers like Tupac Shakur and Ice-T – is well-suited to this challenging and complex jazz-fusion setting.

Bill Evans Trio - At Newport 1967 & 1976 (2014)  Music

Posted by SuniR at Sept. 16, 2017
Bill Evans Trio - At Newport 1967 & 1976 (2014)

Bill Evans Trio - At Newport 1967 & 1976 (2014)
Mp3 CBR320 kbps | 71:07 min | 203 Mb (5% Rec.) | Scans included
Jazz | Label: Oceanic Records

This release presents two splendid never before released live performances by the great Bill Evans taped at the Newport Jazz Festival in 1967 and 1976.

Bill Evans - Another Time The Hilversum Concert (2017)  Music

Posted by pyatak at Sept. 7, 2017
Bill Evans - Another Time The Hilversum Concert (2017)

Bill Evans - Another Time The Hilversum Concert (2017)
EAC | FLAC (tracks+.cue, log) | 47:26 minutes | 275 MB
Jazz | Label: Resonance Records

'Another Time: The Hilversum Concert' is a rare, never-before-issued recording of the legendary Bill Evans trio featuring Eddie Gomez on bass and Jack DeJohnette on drums, captured live at the Netherlands Radio Union Studios in Hilversum on June 22, 1968.

The Bill Evans Trio - On a Monday Evening (Live) (2017)  Music

Posted by SERTiL at Aug. 24, 2017
The Bill Evans Trio - On a Monday Evening (Live) (2017)

The Bill Evans Trio - On a Monday Evening (Live)
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 46:43 min | 167 MB
Label: Fantasy ‎– 0888072019713 | Tracks: 08 | Rls.date: 2017
Jazz

Bill Evans, one of the most influential of jazz pianists, died in 1981. He left a legacy. The brilliant shine of his artistry gained widespread recognition in 1959 with his contribution to Miles Davis classic Kind Of Blue (Columbia Records, 1959), and surged into stellar territory with the release of his own Sunday At The Village Vanguard (Riverside Records, 1961), a trio outing featuring bassist Scott LaFaro and drummer Paul Motian. The interactivity and equality of input of that particular ensemble—as opposed to the drummer and bassist serving as unobtrusive accompanists for the pianist—changed the trajectory of the future of piano trios.
Bill Evans - The Definitive Rare Albums Collection 1960-1966 (2017) [4CDs]{Enlightenment}

Bill Evans - The Definitive Rare Albums Collection 1960-1966 (2017) [4CDs]{Enlightenment}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 1.68GB + 5% Recovery
Genre: Jazz

Hugely acclaimed for his remarkable grasp of melody, harmony and interpretation, Bill Evans has earned his reputation as one of the most influential pianists and composers in jazz history. Classically trained from an early age, Evans initially made a name for himself working with other famous figures of the jazz genre, including George Russell, Cannonball Adderley, Chet Baker and Miles Davis, and his playing was a key feature on the latter s legendary Kind Of Blue (Columbia, 1959). By the early 1960s, Bill Evans began focussing on leading his own groups, primarily trios. Over the rest of his career, he put out a staggering body of work, including the classic albums Sunday At The Village Vanguard and Waltz For Debby (both Riverside, 1961). He received 31 Grammy nominations during his lifetime, taking away nine awards in total, and earned himself a place in the Down Beat Jazz Hall Of Fame.
Ted Rosenthal - The 3 B's: Plays the Music of Bud Powell, Bill Evans, Beethoven (2002)

Ted Rosenthal - The 3 B's: Plays the Music of Bud Powell, Bill Evans, Beethoven (2002)
EAC | FLAC | Image (Cue&Log) ~ 219 Mb | Mp3 (CBR320) ~ 157 Mb | Scans included
Hard Bop, Post-Bop, Piano Jazz | Label: Playscape | # PSR#080199 | 00:58:55

With this subtly provocative solo recital, Ted Rosenthal merges three very different streams of piano history, putting his personal stamp on all of them. He pays homage to Bill Evans with "I Loves You Porgy," "Turn out the Stars," and "Waltz for Debby," playing the last in 5/4 but reverting to 4/4 only on his second solo chorus. The Bud Powell portion is more extensive, consisting of "Tempus Fugit," "Wail," "I'll Keep Loving You," "Celia," "Parisian Thoroughfare," and, in another 5/4 interpretation, the closing "Tea for Two." Last but not least, Rosenthal unveils his improvisational approach to Beethoven with the latter two movements of the "Pathetique" sonata, as well as the third movement of "Opus 109," which inspires a full nine minutes of spirited invention. In Rosenthal's hands all this music sounds as though it sprang from the same muse, and that's the sign of a skilled, imaginative artist.