My Secret Studio really isn't a secret, and never has been, unless you count the period of time when problems of life and surroundings seemed to make it impossible for Bill Nelson to actually get anything musical out into the open. His larger commercial connections had evaporated, his own label had been wracked by unethical behavior by his manager, and his life as a whole seemed to be one gigantically complex knot. Rather than letting these problems crushing the inspiration out of him, Nelson was energized by them. He might not have been able to release much of a anything for a while, but this didn't stop him from recording hundreds of new songs and instrumental pieces.
The Last Of The Neon Cynics is a collaborative project by Bill Nelson and comic book artist Matt Howarth. The download includes a 110 page high-rez full colour PDF graphic novel and all the original CD artwork. All music composed, played and recorded by Bill Nelson. Comic book graphic novel story and artwork by Matt Howarth.
ESOTERIC RECORDINGS imprint Cocteau Discs, the home of BILL NELSON’s catalogue between 1971 and 2001, continues their series of on-going releases with the newly remastered and expanded release of his 1986 album "GETTING THE HOLY GHOST ACROSS”. Released in 1986, the record was Bill’s sole album for the Portrait label, and was a superbly realised work. Previously released on CD as strictly limited edition of 500 copies on Bill’s Sonolux label, the album is hugely sought after on CD by collectors.
This album contains the music he was commissioned to write for artist Rob Ward's "Crimsworth" installation. This comes in the form of two lengthy tracks…
This compilation of Nelson's work over a ten-year span follows an earlier Cocteau set, The Two-fold Aspect of Everything, which compiled single releases and oddities. Nelson is amazingly prolific, with many albums to his credit, and a growing list of box sets in various forms…
Originally planned as a mere stopgap release between albums, Chimera turned out to be a welcome showcase for Bill Nelson at his peak, commercially and creatively. Following the triumph of his 1982 album The Love That Whirls, the British guitarist built Chimera in the same vein, setting his romantic and erotic poetry to the sort of synthesized settings favored by his younger pop peers. However, where much of Nelson's previous output had been a virtual one-man show, the six songs here benefit from his new desire to collaborate, most notably with Yellow Magic Orchestra drummer Yukihiro Takahashi (whose band Nelson had produced).
A concept album celebrating a day in the life of an English Village. This instrumental album, is a sort of 'post-neo-classical' style…it's thematic, melodic and will give you hours of listening pleasure as you gradually become familiar with its multiple layers, colours and tonal textures. No guitars on this, only keyboards. The keyboard sounds are familiar from the backdrops to his usual releases, but the overall feel is orchestral, and not the usual ambient/pop/rock.
Following on from 2011's 'Model Village,' Sonoluxe's Super-Listener Series presents 'Songs Of The Blossom Tree Optimists,' a 15 track, neo-baroque, dream-folk album featuring acoustic guitars, minimalist orchestra and percussion, all topped off with Bill's melodic vocals. The album's lush odes to Spring and the rustic, sensual pleasures of imaginary Summer evenings take the listener down green and leafy paths to secret gardens and shining fountains. A splendid companion piece to 'Model Village' but at the same time something entirely new.
This is volume one in a series of albums designed to gather together rare and previously unreleased home recordings from the ‘80s onwards under the series title 'THESE TAPES REWIND'. From the mid ‘80s and into the early '90s my home studio, ('The Echo Observatory'), used a reel-to-reel analogue 16-track recorder. I mixed down via an analogue desk onto a very early SONY PCM F1 digital stereo machine. Whilst I released several albums recorded this way, there was a huge amount of material left 'on the shelf’.
Released October 2012 - Limited Edition of 1,000 CDs. It contains long-form instrumentals, mostly improvised compositions centered around keyboards, treated guitars and electronica. Hard to describe but somewhere between the 'Non Stop Mystery Action' album and some of the live improvs I (Bill Nelson) performed at last year's Leeds College of Music concert. Only 7 tracks but it is over 74 minutes long in total. This release sees a return to Bill's 'nostalgia for the future' home-spun music, which has represented his sound for a number of years now. This is one of two releases put together for the annual Nelsonica get-together recently in York. 'Return To Tomorrow', the other release, is next up.