Bill Evans Trio 1961 Waltz For Debby

Bill Evans Trio - Waltz For Debby (1962) [Japanese Limited SHM-SACD 2014] PS3 ISO + Hi-Res FLAC

Bill Evans Trio - Waltz For Debby (1962) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 38:22 minutes | Scans included | 1,16 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 810 MB
Bill Evans Trio - Waltz for Debby (1961) [2002, Analogue Productions Stereo SACD] {RE-UP}

Bill Evans Trio - Waltz for Debby
SACD ISO (Stereo): 3,02 GB | 24B/88,2kHz Stereo FLAC: 1,24 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Analogue Productions # CAPJ 9399 SA | Country/Year: Europe 2002
Genre: Jazz | Style: Post Bop

…this is still one of the best-sounding SACDs I have had the pleasure of hearing. Actually, audience noises and clicking of glasses only add to the feeling of "being THERE", much more so than, say, in the audiophile classic Jazz at the Pawnshop, Vol. 1 - Arne Domnerus in its newer (2005) remastering. Recommended!
Bill Evans Trio - Waltz For Debby (1961) {2010 Riverside} [OJC Remasters Complete Series] (Item #12)

Bill Evans Trio - Waltz For Debby (1961) {2010 Riverside} [OJC Remasters Complete Series] (Item #12)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 426 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 600 dpi (tiff) -> 132 Mb | 5% repair rar | 24-bit remaster
© 2010 Riverside / Concord | 0888072323261
Jazz / Modal Music / Post Bop / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Bill Evans Trio - Waltz for Debby (1961, ReIssue 2002) {Hybrid-SACD // ISO & FLAC}  REPOST

Bill Evans Trio - Waltz for Debby
SACD ISO (Stereo): 3,02 GB | 24B/88,2kHz Stereo FLAC: 1,24 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Analogue Productions # CAPJ 9399 SA | Country/Year: Europe 2002
Genre: Jazz | Style: Post Bop

…this is still one of the best-sounding SACDs I have had the pleasure of hearing. Actually, audience noises and clicking of glasses only add to the feeling of "being THERE", much more so than, say, in the audiophile classic Jazz at the Pawnshop, Vol. 1 - Arne Domnerus in its newer (2005) remastering. Recommended!
Bill Evans Trio - Waltz for Debby (1961/2011) [Official Digital Download 24bit/192kHz] RE-UP

Bill Evans Trio - Waltz for Debby (1961/2011)
FLAC (tracks) 24 bit/192 kHz | Time - 65:59 minutes | 2,38 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

A truly landmark jazz recording, 1961’s Waltz for Debby redefined the possibilities of the piano trio. Scott LaFaro’s ultra-melodic bass-work, Paul Motian’s fluid drumming, Evans’ virtuosic, impressionistic playing and the trio’s nearly telepathic interplay set a standard that has yet to be exceeded. This hi-res remastering adds new depth and warmth to an already essential audiophile live set.
Bill Evans Trio - Waltz for Debby (2010) {Analogue Productions 45rpm 180g} 24-bit/96kHz Vinyl Rip plus Redbook CD Version

Bill Evans Trio - Waltz for Debby
Part of Bill Evans Riverside Recordings Box Set

Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
804 MB (24/96) + 239 MB (CD) | RAR 5% recovery | DR Analysis | Jazz | 1961
Analogue Productions ~ APJ-018 (2010)
45rpm Double LP mastered by Kevin Gray ~ Pressed in Germany

is an album by American jazz pianist Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian, originally released in 1961.
The Bill Evans Trio - Moon Beams (1962) [DSD64 + Remastered FLAC version]

The Bill Evans Trio - Moon Beams (1962/2002;2011)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 39:13 minutes | 1,09 GB
FLAC (tracks) 24-bit/192 kHz | Time - 49:46 minutes | 1,9 GB
Studio Master, Official Digital Download | Artwork: available

Moon Beams is a pivotal recording from the newly reformed and influential jazz ensemble, The Bill Evans Trio. Following the death of long-time band member Scott LaFaro, Bill Evans enlisted bassist Chuck Israels to perform on this soothing tapestry of jazz ballads. The subtle, yet mind-blowing set, included the haunting Evans' original, "Re: Person I Knew", a jazz rendition of "Stairway to the Stars" and the sublime, "Polka Dots and Moonbeams".
Bill Evans Trio - Sunday At The Village Vanguard (1961) [Japanese Limited SHM-SACD 2014]

Bill Evans Trio - Sunday At The Village Vanguard (1961) [Japanese Limited SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 42:10 minutes | Scans included | 1,27 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 878 MB
Bill Evans Trio - Moon Beams (1962) [2002, Analogue Productions Stereo SACD]  {RE-UP}

Bill Evans Trio - Moon Beams
SACD ISO (Stereo): 1,57 GB | 24B/88,2kHz Stereo FLAC: 730 MB | Artwork | 5% Recovery Info
Label/Cat#: Analogue Productions # CAPJ 9428 SA | Country/Year: US 1962, 2002
Genre: Jazz | Style: Post Bop, Instrumental, Modal

"…Analogue Productions has produced some of the best sounding piano on SA-CD, and this one is no exception. If you want to listen to Bill Evans' story you owe it to yourself to buy all three discs ('Saturday At The Village Vanguard' and 'Waltz For Debbie' are the other two)." ~sa-cd.net
Bill Evans Trio - Sunday At The Village Vanguard (1961) [2002, Analogue Productions Stereo SACD] {RE-UP}

Bill Evans Trio - Sunday At The Village Vanguard
SACD ISO (Stereo): 2,75 GB | 24B/88,2kHz Stereo FLAC: 1,30 GB | Artwork
Label/Cat#: Analogue Productions # CAPJ 9376 SA | Country/Year: US 1961, 2002 | 5% Recovery Info
Genre: Jazz | Style: Post Bop, Instrumental, Modal

"Most of the APO analog to DSD conversions are great, but this one is probably the best from a sonic perspective. And if you like jazz trio's with articulate bass playing and a clear and purposeful piano technique, then you are in for a treat. This is a live recording set at the New York Village Vanguard jazz club with accompanying audience 'participation', though that never distracts. The Stereo separation is rather absolute left/right, with the piano in the right speaker and the rest in the left. There is virtually no center image…." ~sa-cd.net