Oregon native Meredith Brooks returns with the follow-up to her 1997 smash release Blurring the Edges with Deconstruction. This time working with producer Dave Darling, Brooks delivers another pleasant if somewhat derivative helping of adult rock but fails to come up with anything that is likely to command the heavy airplay of "Bitch." Deconstruction leads off with "Shout," a slice of noise-pop that sounds a bit like the Breeders, before she tackles a cover of Melanie's Woodstock-era anthem "Lay Down (Candles in the Rain)." It's a punchy version that benefits from an appearance by Queen Latifah who adds some updated lyrics.
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Legendary jazz pianist Bill Evans is most often thought of as a "trio" player, as most of his albums have been piano/bass/drums, with the occasional solo or duo album. But he did record a select few albums with orchestras, and that's what makes SYMBIOSIS a special and unique entry in Evans' hugh catalog. Recorded in 1974, it was released in 1994 on CD for the first time. Further, this albums contains no standards or Evans originals–the title piece is a multi-part suite composed, arranged and conducted by Claus Ogerman (who also collaborated with Stan Getz and Frank Sinatra, among many others).
Tycoon J.L. Higgins controls his whole family, but one of his sons- in-law, Dan Brooks and his daughter Alice are fed up with that. Brooks quits his job as manager of J.L.'s paper box factory and devotes his life to his racing horse Broadway Bill, but his bank- roll is thin and the luck is against him, he is arrested because of $150 he owes somebody for horse food, but suddenly a planed fraud by somebody else seems to offer him a chance…