Recorded during his five year "vacation" from Duke Ellington's orchestra, this Johnny Hodges set features his band sticking mostly to standards. With trumpeter Harold "Shorty" Baker, trombonist Lawrence Brown, baritonist Harry Carney, pianist Call Cobbs, or Richie Powell, bassist John Williams, drummer Louis Bellson, and either Jimmy Hamilton or John Coltrane (who unfortunately does not solo) on tenor, Hodges had a particularly strong group. High points include "On the Sunny Side of the Street," the title track and a seven-song ballad medley.
A gem of a session from Italian guitarist Franco Cerri — recording here at the end of the 50s with a well-titled batch of European jazz stars ! The groups shift slightly throughout the set, and players include Lars Gullin on baritone sax, Flavio Ambrosetti on alto, George Gruntz on piano, and Pierre Favre on drums ! The album features one trio track, three quartet numbers, three quintet tunes, and one sextet cut — all of them with Cerri's illuminating single-line work on guitar — sounding especially nice next to the horns. Ambrosetti is a real treat here — a sharp-edged player we'd never heard before, working with a strong undercurrent of soul that we really appreciate.
Ringo Starr, continuing to recognize a good thing when he sees it as he did back in 1962, is still organizing all-star (or "All-Starr") bands and touring regularly with them. This disc melds a concert performance at the Casino Rama in Ontario, Canada with a good deal of backstage documentary-style footage…
Bill Haley & His Comets were an American rock and roll band that was founded in 1952 and continued until Haley's death in 1981. The band, also known by the names Bill Haley and The Comets and Bill Haley's Comets (and variations thereof), was the earliest group of white musicians to bring rock and roll to the attention of white America and the rest of the world. From late 1954 to late 1956, the group placed nine singles in the Top 20, one of those a number one and three more in the Top Ten. Bandleader Bill Haley had previously been a country music performer; after recording a country and western-styled version of "Rocket 88", a rhythm and blues song, he changed musical direction to a new sound which came to be called rock and roll.