Violinist Vaughan Jones brings us a fascinating collection of 18th century solo works. Three hundred years after their first publication, Austrian composer Johann Joseph Vilsmayr's Six Partitas for Solo Violin are recorded here in their entirety for the first time. Johann Georg Pisendel was a famous Baroque violinist and composer. His fiendishly difficult Violin Sonata is an unpredictable, tempestuous and capricious work, showing great scope and ambition. To round out the recording, Jones plays the famous Passacaglia by Biber - a somber, moving work and a perfect end to this noteworthy set.
Biber's 'Rosary Sonatas' for violin and basso continuo stand alone in the violin literature and in music history, offering a unique combination of programmatic material and the use of scordatura. The cycle consists of fifteen sonatas for violin and basso continuo, and a closing Passacaglia for solo violin, composed c.1687. Through the copper engravings inserted at the head of each sonata in the manuscript depicting key moments in the lives of Christ and the Virgin Mary, the music has become associated with the Catholic Mysteries of the Rosary.
At the end of the Thirty Years War, the support of the Viennese Imperial Court allowed the emergence of an extraordinarily talented generation of musicians speaking with virtuosity, humour and depth. Schmelzer, Biber and Kerll were at the forefront. For Carnival festivities where music has pride of place they regale us with earthy works that mimic the sounds of nature and everyday life. They also had to meet the taste of Emperor Leopold I, who particularly appreciated imitative counterpoint, and for whom they composed these sonatas which have the power to elevate the soul and spirit.
This album produces some superb soundscapes with unique percussion patterns. Veiled Allusions is the product of Karsten Hamre of Arcane Art (with which this bares some resemblance), Penitent and Dense Vision Shrine. The rhythms here are clear and distinct permeated with subtle perpetual and cavernous drone…