The Farm were never one of the great Madchester bands, writing only one truly memorable single ("All Together Now") and turning out a bunch of pleasant, nondescript baggy. The Best of the Farm collects all of the singles and highlights from the group's three albums. There aren't any hidden treasures here, but anyone nostalgic for the pleasures of loping beats, baggy clothes, neo-psychedelia and buckets of Ecstasy should be pleased with this collection.
While it does not feature all of their singles ("I Do You", "Private Number" and "You Better Dance" are missing), it is a great compilation featuring most of their bigger hits plus key album tracks, at a time when people still cared for those. The Jets consisted of members of the Wolfgramm family, a Tongan massive from Minneapolis, Minnesota. True to the Minneapolis Sound of the mid-1980's, this is full of nice keyboards and synths with the guilty pleasures of a great hit.
The Roberta Martin Singers were an African-American gospel group based in the United States. The group was founded in 1933 by Roberta Martin, who in that same year had just become acquainted with gospels music, which was different from the traditional spirituals which were popular at the time. Theodore Frye and Thomas A. Dorsey were directing a junior choir at Ebenezer Baptist Church in Chicago, Illinois, and asked Martin to serve as the accompanist. From this junior choir, Martin selected six young men at random to form a group, Eugene Smith, Norsalus McKissick, Robert Anderson, Willie Webb, James Lawrence, and W.C. Herman. This group was named the Martin and Frye Singers, and in 1936, the group adopted the name of The Roberta Martin Singers. The Roberta Martin Singers (RMS) contained no traditional bass. For a brief period of time, the group was known as the Martin and Martin Singers, when Sallie Martin joined Roberta's group.