In the field of language studies, an often overlooked area is that of people’s perceptions of language: what counts as language for speakers, and what doesn’t. This lecture engages in a number of reflections on how attention to that field of perceptions changes our view of language learning and language functions.
Rudolf Serkin's 1964 recording of Beethoven's Piano Concerto in C minor is surely among the greatest recordings of the work ever made, and certainly his finest performance of the work. The energy and enthusiasm and even passion he brings to Concerto in C minor is overwhelming, and indeed, it overwhelms Bernstein and the New York Philharmonic, who accompany Serkin with the sort of commitment that only a conductor and orchestra give to soloists when they are deeply inspired. But while Serkin's 1962 recording of Beethoven's Piano Concerto in E flat major is also surely among the greatest recordings of the work ever made, it is not quite Serkin's finest recording of the work.
Leonard Bernstein and the Wiener Philharmoniker perform Brahms orchestral works. Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahms's orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman.
"Both Zimerman and Bernstein are involved and involving here … a rapt intensity [in the slow movement]" (Gramophone on No.1). "Bernstein and Zimerman have established a masterly understanding of the work, and their artistic symbiosis is inpressive" (Gramophone on No.2).
Peter Bernstein and the Tilden Webb Quartet are featured in this live set from 2012, recorded at Cory Weeds' Cellar Jazz Club in Vancouver. Jazz musician, label owner and educator Cory Weeds set up the Cellar in Vancouver as a creative space for both local and international artists. The club has since ceased opperations, but we revisit the thriving atmosphere with a live recording from the American guitarist Peter Bernstein, captured at the venue in February 2012. Bernstein is joined by the Canadian pianist Tilden Webb and his trio…
Editorial Reviews- Amazon.com
What a potent combo: Maurice Ravel and Leonard Bernstein. Boléro slowly comes to a steady boil without any ingredients overflowing. By contrast, in Alborada del Gracioso and La Valse, Bernstein thoroughly revels in his French orchestra's watery brass and silvery string tuttis. Back in Manhattan, the Daphnis and Chloé suite and Rapsodie Espagnol are lusty without ever sounding vulgar. Some might find the miking a hair spotlit for their tastes, but Ravel's breathtaking orchestration can withstand such scrutiny. So can Bernstein and company. An ingratiating release. –Jed Distler