Bernard Haitink The Symphony Edition

Bernard Haitink - The Symphony Edition: Limited Edition Box Set 36CDs (2014)

Bernard Haitink - The Symphony Edition: Limited Edition Box Set 36CDs (2014)
Classical | MP3 CBR 320 kbps | 5,83 Gb
Label: Decca | Release Year: 2014

"Bernard Haitink: The Symphony Edition" is one of two recent box sets from Decca, marking Haitink's eighty-fifth birthday in 2014. Together with Haitink: The Philips Years this set offers a broad, tantalizing overview of the great Dutch conductor's compelling artistry, and makes a near-perfect introduction to one of the truly magnificent recorded legacies of our time. Haitink will be 85 on 4 March 2014, and this set presents his six complete symphonic cycles by cornerstone classical composers: Beethoven, Brahms, Bruckner, Mahler, Schumann and Tchaikovsky.
Bavarian Radio Symphony Orchestra & Bernard Haitink - Bruckner: Symphony No. 6 (2017)

Bavarian Radio Symphony Orchestra & Bernard Haitink - Bruckner: Symphony No. 6
Classical | WEB FLAC (tracks) & d. booklet | 55:11 min | 241 MB
Label: BR-Klassik | Tracks: 04 | Rls.date: 2017

For a long time, Anton Bruckner’s Sixth Symphony (alongside the Second) was regarded as something of a ‘poor relation’ in his immense symphonic oeuvre, although the composer himself had moodily referred to it as his "boldest". Over the decades, in view of its performance figures and recordings, this changed significantly: The work has now secured itself a permanent place in the repertoire.
London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3 'Eroica', Leonore Overture No. 2 (2006) [24/96]

London Symphony Orchestra, Bernard Haitink - Beethoven: Symphony No. 3 'Eroica', Leonore Overture No. 2 (2006)
FLAC (tracks) 24-bit/96 kHz | Time - 61:04 minutes | 1,24 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet, Front cover

Beethoven took a massive stride forward in the development of the symphonic form with the 'Eroica'. Not only is the work written on an unprecedented scale, it also lays the very foundations of Romanticism in music.The symphony mirrors Beethoven's own emergence from despair and he used it to symbolize mankind's capacity for greatness. He initially dedicated the score to Napoleon whom embodied his view of greatness. However, when Napoleon crowned himself Emperor, Beethoven furiously removed the dedication from the score.
Bernard Haitink & London Symphony Orchestra - Bruckner: Symphony No. 9 (2014) [Official Digital Download 24/96]

Bernard Haitink & London Symphony Orchestra - Bruckner: Symphony No. 9 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 67:09 minutes | 1.32 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Bernard Haitink, internationally renowned for his interpretations of Bruckner, returns at the helm of the LSO following his acclaimed recording for the label of the fourth Symphony. Bruckner s symphonies are often described as Gothic cathedrals in sound, an apt description considering the composer s devout faith and early vocation as an organist. He died before he could finish his 9th Symphony but within its three movements can be found some of his most complete music, imbued with a sense of deep solace and resolution.
Chicago Symphony Orchestra &  Bernard Haitink - Bruckner: Symphony No. 7 (2007) [Official Digital Download 24/88.2]

Chicago Symphony Orchestra & Bernard Haitink - Bruckner: Symphony No. 7 (2007)
FLAC (tracks) 24-bit/88.2 kHz | Time - 68:00 minutes | 996 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

The greatest virtue of Bernard Haitink's live recording of Anton Bruckner's Symphony No. 7 in E major with the Chicago Symphony Orchestra is its stunning clarity, a characteristic noted in several of the conductor's other concert recordings, but one which is of paramount significance in this captivating CD. Bruckner's symphonic music has long been interpreted as architectural in form, and conductors have often let small details of articulation, dynamics, and tone color fall by the wayside while concentrating on the larger matters of structure and pacing.
London Symphony Orchestra / Bernard Haitink – Brahms: Symphony No.4 (2005) [SACD ISO+HiRes FLAC]

London Symphony Orchestra / Bernard Haitink – Brahms: Symphony No.4 (2005)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 4.0 >1-bit/2.8224 MHz | Front Cover | 2.03GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Front Cover | 703MB + 5% Recovery

Loaded with German Romanticism & including variations on a Bach cantata, Brahms’ final symphony is a remarkable example of his mastery of symphonic composition. A rich, warm work that builds on a sense of movement & intensity right up to the final bars. This release also represents the completion of Bernard Haitink’s celebrated LSO Live Brahms cycle that has included the symphonies, Double Concerto, Tragic Overture & Serenade No 2.
London Symphony Orchestra / Bernard Haitink - Bruckner: Symphony No.4 (2011) [SACD ISO+HiRes FLAC]

London Symphony Orchestra / Bernard Haitink - Bruckner: Symphony No.4 (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Front Cover | 4.06GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Front Cover | 1.07GB + 5% Recovery

Bernard Haitink & London Symphony Orchestra started their Bruckner cycle with this album. Haitink’s previous releases on LSO Live (Beethoven: Complete Symphonies & Triple Concerto & Strauss: Ein Alpensinfonie) are very good, & now he continues this line. Bernard Haitink is internationally renowned for his interpretations of Bruckner and is widely recognised as the world’s leading Bruckner conductor.

Bernard Haitink - Mahler: Symphony No. 3 in D Minor (2017)  Music

Posted by SERTiL at Jan. 7, 2017
Bernard Haitink - Mahler: Symphony No. 3 in D Minor (2017)

Bernard Haitink - Mahler: Symphony No. 3 in D Minor
Classical | MP3 CBR 320 kbps | 101:28 min | 232 MB
Label: BR Klassik | Tracks: 06 | Rls.date: 2017

Enregistrée en public les 15 et 17 juin 2016 à Munich, cette Troisième de Mahler – la plus longue du compositeur, avec quelque cent minutes de durée – bénéficie grandement de la vision architecturale du vénérable Bernard Haitink, alors âgé de quatre-vingt-six printemps, toujours aussi présent dans l’âme et à la fois discret dans la gestuelle.
Bernard Haitink, The London Philharmonic Orchestra, Marie McLaughlin, Walter MacNeil - Verdi: La Traviata (1988)

Bernard Haitink, The London Philharmonic Orchestra, Marie McLaughlin, Walter MacNeil - Verdi: La Traviata (1988)
PAL 4:3 (720x576) VBR | Italiano (LinearPCM, 2 ch) | 6.67 Gb (DVD9) | 135 min
Classical | Tandem Verlag | Sub: Deutsch

Vivacious, young soprano Marie McLaughlin is magnificent as the ill-fated courtesan Violetta in this passionate production of Giuseppe Verdi's timeless classic, directed by the internationally renowned Sir Peter Hall and conducted by one of music's all-time greats, Bernard Haitink. Walter MacNeil brings to striking life the role of Violetta's lover, Alfredo, and Brent Ellis shines as Alfredo's father, Germont. Set in 19th century Paris, this moving story of doomed love and its dramatic deathbed reconciliation remains one of Verdi's most popular operas.
Bernard Haitink, The London Philharmonic Orchestra, Philip Langridge, Yvone Kenny - Mozart: Idomeneo (2004/1983)

Bernard Haitink, The London Philharmonic Orchestra, Philip Langridge, Yvone Kenny - Mozart: Idomeneo (2004/1983)
NTSC 4:3 (720x480) VBR | Italiano (Dolby AC3, 2 ch) | 7.16 Gb (DVD9) | 180 min
Classical | NVC ARTS | Sub: English, Deutsch, Espanol, Japanese

“Trevor Nunn produced his first opera, Idomeneo, Glyndebourne in 1983, with felicitous results. John Napier's designs imaginatively evoke the Cretan milieu, supported by restrained, dignified costumes and lighting. The spare setting now seems a model beside what usually passes for decor today. Within it Nunn directs his principals and chorus with economic yet pointed care. Philip Langridge is a compellingly distraught and haunted Idomeneo, singing with his customary feeling for word-painting. He easily encompasses the longer version of 'Fuor del mar'. Carol Vaness offers a fiery, richly contoured Elettra. Yvonne Kenny's beautifully sung Ilia is more conventional and Jerry Hadley is a fresh, pleasing Idamante. Bernard Haitink conducts a lithe, forward-moving account of the score, though you'll need a high volume setting to get the best out of the sound.” (The Gramophone)