Bernard Daud

Bernard Alonso, Cécile Guiochon, "Permaculture humaine: Des clés pour vivre la Transition"

Bernard Alonso, Cécile Guiochon, "Permaculture humaine: Des clés pour vivre la Transition"
Ecosociété | 2016 | ISBN: 2897192879 | French | EPUB | 206 pages | 29.6 MB

Réfléchir avant de prendre le volant d'une voiture, lire les étiquettes avant d'acheter, se préoccuper de la performance énergétique d’un logement… Face à la crise écologique, un nombre croissant de personnes sentent qu'un changement de comportements est inéluctable, tant individuellement que collectivement. Mais comment mettre nos modes de vie en adéquation avec les ressources disponibles sur la planète? Comment nous préparer à vivre sans énergies fossiles? La permaculture humaine offre des clés pour répondre à cette délicate période de Transition. …
Bernard Shaw, W. T. Stead, and the New Journalism: Whitechapel, Parnell, Titanic, and the Great War

Bernard Shaw, W. T. Stead, and the New Journalism: Whitechapel, Parnell, Titanic, and the Great War (Bernard Shaw and His Contemporaries) by Nelson O'Ceallaigh Ritschel
English | 8 Mar. 2017 | ISBN: 3319490060 | 248 Pages | PDF | 2.11 MB

This book explores Bernard Shaw’s journalism from the mid-1880s through the Great War―a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced. In approaching Shaw’s journalism, the promoter and abuser of the New Journalism, W. T. Stead, is contrasted to Shaw,

Hegel's Owl: The Life of Bernard Smith  eBooks & eLearning

Posted by readerXXI at Feb. 17, 2017
Hegel's Owl: The Life of Bernard Smith

Hegel's Owl: The Life of Bernard Smith
by Sheridan Palmer
English | 2017 | ISBN: 0994306423 | 428 Pages | ePUB | 49.3 MB

An elegant and powerful study, finely crafted – fully worthy of its subject.

Bernard Cornwell - Il trono senza re  eBooks & eLearning

Posted by SSCN1926 at Feb. 15, 2017
Bernard Cornwell - Il trono senza re

Bernard Cornwell - Il trono senza re
Italian | Longanesi | 2017 | EPUB | Pages 347 | ASIN: B01N4P0XRR | 0.49 Mb

The Incarnate Word, Volume 8: Collected Works of Bernard Lonergan  eBooks & eLearning

Posted by readerXXI at Feb. 10, 2017
The Incarnate Word, Volume 8: Collected Works of Bernard Lonergan

The Incarnate Word, Volume 8: Collected Works of Bernard Lonergan
by Bernard Lonergan and Robert Doran
English | 2016 | ISBN: 1442629126 | 892 Pages | PDF | 8.48 MB

The Incarnate Word presents the original Latin and the first-ever English translation of the text on facing pages.
LSO / Bernard Haitink - Brahms: Serenade No.2, Symphony No.3 (2004) [SACD ISO+HiRes FLAC]

London Symphony Orchestra / Bernard Haitink - Brahms: Serenade No.2, Symphony No.3 (2004)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 4.0 >1-bit/2.8224 MHz | Front Cover | 3.21GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Front Cover | 1.1GB + 5% Recovery

The 1st & final movements of Brahms’s 3rd Symphony contain some of the most dramatic music he was to compose, yet both end serenely & enclose 2 beautiful inner movements. The equally exquisite Serenade No 2, unusually scored for wind instruments, violas, cellos & double basses, was 1 of his own personal favourites & both receive superb performances under Bernard Haitink in the 3rd part of his internationally acclaimed LSO Live Brahms cycle.
London Symphony Orchestra / Bernard Haitink – Brahms: Symphony No.4 (2005) [SACD ISO+HiRes FLAC]

London Symphony Orchestra / Bernard Haitink – Brahms: Symphony No.4 (2005)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 4.0 >1-bit/2.8224 MHz | Front Cover | 2.03GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Front Cover | 703MB + 5% Recovery

Loaded with German Romanticism & including variations on a Bach cantata, Brahms’ final symphony is a remarkable example of his mastery of symphonic composition. A rich, warm work that builds on a sense of movement & intensity right up to the final bars. This release also represents the completion of Bernard Haitink’s celebrated LSO Live Brahms cycle that has included the symphonies, Double Concerto, Tragic Overture & Serenade No 2.
London Symphony Orchestra / Bernard Haitink - Bruckner: Symphony No.4 (2011) [SACD ISO+HiRes FLAC]

London Symphony Orchestra / Bernard Haitink - Bruckner: Symphony No.4 (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Front Cover | 4.06GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Front Cover | 1.07GB + 5% Recovery

Bernard Haitink & London Symphony Orchestra started their Bruckner cycle with this album. Haitink’s previous releases on LSO Live (Beethoven: Complete Symphonies & Triple Concerto & Strauss: Ein Alpensinfonie) are very good, & now he continues this line. Bernard Haitink is internationally renowned for his interpretations of Bruckner and is widely recognised as the world’s leading Bruckner conductor.
Foreign Investment and National Security: Getting the Balance Right (Bernard and Irene Schwartz Series on American Competitiven

Foreign Investment and National Security: Getting the Balance Right (Bernard and Irene Schwartz Series on American Competitiveness) by David M. Marchick Alan P. Larson
English | Dec. 14, 2007 | ISBN: 0876093640 | 47 Pages | PDF | 0.40 MB

The Dubai Ports World controversy has shed light on the tensions between Congress and the executive branch over the appropriate balance between foreign investment and national security. In the past few months, members of Congress have met with international companies, homeland security experts, and administration officials to better understand the process of reviewing security concerns associated with foreign investment in the United States.
London Symphony Orchestra under Bernard Haitink - Beethoven Piano Concerto No.2 (2016) [DD 24bit/96kHz]

London Symphony Orchestra under Bernard Haitink - Beethoven Piano Concerto No.2 (2016)
FLAC tracks 24bit/96kHz | Digital Booklet | 658MB + 5% Recovery
Studio Master, Official Digital Download, B&W Society of Sound

The Piano Concerto No. 2 is also Beethoven in classical mode, using an orchestra that would have suited a Mozart piano concerto equally well. What marks it out from other classical works of the time are the solo outbursts in each of the first two movements. In the first, a contrapuntal cadenza with exciting modulations takes us into new and more individual territory, in which the keyboard becomes absolutely the composers focus; in the second we are treated to some powerful, improvisatory solos. The last movement, a rondo with a highly rhythmic main theme in 6/8, manages to introduce a descending chromatic progression towards the end and closes with the piano oscillating rapidly between major and minor chords (a light hearted conclusion to the piece, but one which taxes every pianist).