Belle & Sebastian's first album, Tigermilk, was initially pressed in a quantity of 1,000 on their own label, Electric Honey Recordings. The record was intended to be the end result of Stuart Murdoch's music business school course, but it became an unexpected word-of-mouth sensation in England, and the LP quickly disappeared from shops. As a result, once the group's second album, If You're Feeling Sinister, became a hit, there were no copies of Tigermilk available for newly converted fans and it remained unheard by the majority of the group's audience. Those who have heard it say it is quite similar stylistically to If You're Feeling Sinister and the songs match that record's high standard.
…His vicious wit, often overlooked in favor of his poetic narratives, surfaces on the title track, while "It Could Have Been a Brilliant Career" summarizes his effortless gift for elegant melancholia. Such small, precious gems are what Belle & Sebastian are all about, and The Boy With the Arab Strap offers another round of timeless, endlessly fascinating folk-pop treasures.
Collection includes eight studio albums, one compilation, one live album and one tribute album by indie pop band Belle & Sebastian.
Books is the third single from Belle & Sebastian's 2003 album Dear Catastrophe Waitress. "Wrapped Up in Books" comes from the album. The other three songs are exclusive to the EP. While the charming, low-key "Books" is a fine song, it is firmly in the B&S tradition. "Your Secrets" is also pretty typical fare, but very strong and catchy with the added perk of some lovely weeping pedal steel guitar. The real interesting track here is the mini-epic "Your Cover's Blown." It starts off as a slinky disco number with some wonderfully sexy vocals from Stuart Murdoch, has a lovely sunny chorus, and a spooky spy music bridge.
A six-year-old boy and his dog look to foil a Nazi effort to capture French Resistance fighters.
Girls In Peacetime Want To Dance is the long-awaited follow-up to 2010’s Write About Love. Produced and mixed at Maze Studios in Atlanta by Ben H. Allen III, best known for his work with Gnarls Barkley, Animal Collective, and Raury, among others, the band – who have been listening to things like vintage Detroit techno and Giorgio Moroder – have brought a dance-party element (and a disco song about Sylvia Plath) into their gorgeous tales of sensitive souls navigating a world gone awry. It is perhaps the most inspired and wide-reaching album Belle and Sebastian have ever made.
As one of the intermittent non-LP clearing houses Belle & Sebastian occasionally release, The Third Eye Centre performs a useful service for dedicated fans while offering a roundly enjoyable B&S record for those who don't keep tallies of individual singles. Unlike Push Barman to Open Old Wounds, which rounded up the tight, purposeful EPs of the late '90s and singles of the early days of the new millennium, The Third Eye Centre plays a bit like a warehouse of B-sides. Some of this is due to the handful of remixes scattered throughout the 18-track album – it opens with the Avalanches remix of "I'm a Cuckoo," and mixes of "Your Cover's Blown" and "I Didn't See It Coming" arrive later – as they're within the band's aesthetic yet sonically different.