"Conducting the Wiener Philarmoniker 's always been something absolutely unique, starting from my debut in Salisburgo after studying in Vienna. Wondeful string section, great musical tradition and deep understanding of Mozart, Beethoven, Schubert and Strauss' music are typical of this group. It's a true joy making music with them. I am always very grateful when I conduct the Wieners at Musikverein or Staatsoper. It's like coming home." (Claudio Abbado)
"Muti's Beethoven Fifth is fleet, fluid, and transparent. He shows his usual attention to details, and offers many individual touches. I especially enjoyed the horn crescendo in bar 34 of the Allegro con brio. It's not indicated in my ancient Eulenberg score but makes perfect sense in its context. …Muti achieves a clarity and rhythmic definition found only in the finest interpretations…The playing of the Philadelphia Orchestra is nothing short of spectacular. The fast string triplets from measure 132 in the final movement are not only accurate but beautifully played with full tone.
„Beethoven is the alpha and omega of the symphonic repertoire: a repertoire crucial to any orchestra’s quality. However my orchestra at the Paris Opera had never played the Beethoven symphonies before.“ (Philippe Jordan) This Edition contains all Beethoven Symphonies with the Orchestra and Chorus of the Opéra national de Paris conducted by Philippe Jordan. A brand new production filmed in the highest quality known on the market today made by the creators oft he successful Shostakovich cycle. Philippe Jordan presents a young but traditionalist interpretation in the spirit of historical performance practice, setting a new course in Beethoven interpretation. Includes a documentary film „Philippe Jordan – Born to Conduct“ by Reiner E. Moritz. Reiner E. Moritz sketches his astonishing career and in his film uses exciting excerpts of his most important conducting performances, allowing Jordan to recount not only his childhood memories, but also his own career.
The Beethoven set includes the first two piano concertos (No. 1 in two versions, one with cadenzas supplied by Glenn Gould) together with Beethoven’s only completed opera in its final version: Fidelio. He always had a strong and fervent view of freedom and its resonance still rings true today nearly two hundred years since its first performance.