This six-CD collection of 101 favorite tracks is the perfect introduction to the music of Ludwig van Beethoven, considered by many to be the greatest of all classical composers.
The comprehensive collection covers every aspect of this popular composer s music from the power and might of his groundbreaking Choral Symphony to the Viennese charm of his Minuets.
Eurodance is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of techno, hi-NRG, house music and Euro disco. This genre of music is heavily influenced by the use of rich melodic vocals, either exclusively by itself or inclusively with rapped verses. This, combined with cutting-edge synthesizer, strong bass rhythm and melodic hooks, establishes the core foundation of Eurodance music.
To celebrate what would have been Herbert von Karajan's 100th birthday on April 5, 2008, EMI has gathered together all of the conductor's recordings for the label in two super-budget boxed sets. Volume 1 weighs in at an imposing 88 discs and focuses on orchestral repertoire (the second volume consists of vocal and operatic works). The first nine discs encompass Karajan's EMI Vienna Philharmonic sessions…
“Emil Gilels stands out as giant among giants,” wrote Gramophone when the Odessa-born pianist died in 1985. “In terms of virtuosity he was second to none, yet his leonine power was tempered by a delicacy and poetry that few have matched and none has surpassed.” Beethoven was at the heart of Gilels’ repertoire and in 1968 he recorded this complete cycle of the composer’s piano concerto with the Cleveland Orchestra and its long-standing maestro, another musical titan of the era, George Szell.
One of the great cycles. Of the hundred or so available recorded cycles (out of about one hundred and fifteen or so), this rates as one of the best. In better sound than either the DG stereo cycle and the live King International cycle, Kempff's style is more poetic and less intense and fiery than others. Whatever Kempff may give away in terms of speed, power, and precision, he makes up for in other ways
The Israel Philharmonic Orchestra is a cultural ambassador for Israel, and is regarded as one of the best orchestras in the world. Recorded in the Mann Auditorium, Tel Aviv in March 2010, this concert sees the Israel Philharmonic conducted in this all-Beethoven programme by the eminent conductor and violinist Itzhak Perlman. After the Egmont Overture, Perlman and the orchestra are joined by the Perlman/Schmidt/Bailey Trio for the beautiful ‘Triple’ Concerto. The programme concludes with the rousing and evocative ‘Pastoral’ Symphony.