This six-CD collection of 101 favorite tracks is the perfect introduction to the music of Ludwig van Beethoven, considered by many to be the greatest of all classical composers.
The comprehensive collection covers every aspect of this popular composer s music from the power and might of his groundbreaking Choral Symphony to the Viennese charm of his Minuets.
Eurodance is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of techno, hi-NRG, house music and Euro disco. This genre of music is heavily influenced by the use of rich melodic vocals, either exclusively by itself or inclusively with rapped verses. This, combined with cutting-edge synthesizer, strong bass rhythm and melodic hooks, establishes the core foundation of Eurodance music.
“Emil Gilels stands out as giant among giants,” wrote Gramophone when the Odessa-born pianist died in 1985. “In terms of virtuosity he was second to none, yet his leonine power was tempered by a delicacy and poetry that few have matched and none has surpassed.” Beethoven was at the heart of Gilels’ repertoire and in 1968 he recorded this complete cycle of the composer’s piano concerto with the Cleveland Orchestra and its long-standing maestro, another musical titan of the era, George Szell.
Walter Gieseking is joined by stellar wind players, including the great hornist Dennis Brain; and the Quintets have a gleaming, robust quality that make them irresistible. They were recorded in the mid- 1950s, a time when Gieseking sometimes operated on automatic pilot, but here he sounds involved and fluent; the keyboard part played with aristocratic grace and, where appropriate, sparkling high spirits. The filler is one of Herbert von Karajan's few successful Mozart recordings, aided immeasurably by the expert first-desk soloists of the Philharmonia.