The Beethoven set includes the first two piano concertos (No. 1 in two versions, one with cadenzas supplied by Glenn Gould) together with Beethoven’s only completed opera in its final version: Fidelio. He always had a strong and fervent view of freedom and its resonance still rings true today nearly two hundred years since its first performance.
This particular recording has been a favourite of mine since its initial release nearly 30 years ago. Stephen Kovacevich (or Bishop-Kovacevich. if you prefer) appeals as 1 of those pianists whose playing is rather forthright & precise, giving us here a rather lyrical presentation of the concerti full of grace & good demeanor. A little on the light side compared to those who pound out their Beethovens some would think.
Sony Classical in cooperation with Paramax Films and Dolby releases the world premiere of the first classical concert on video mixed in the new sound technology of Dolby Atmos®. Captured by Paramax Films in the orchestra’s home city of Tel Aviv in July 2015, Khatia Buniatishvili and Zubin Mehta unite in a concert with the Israel Philharmonic Orchestra at its resident venue of Charles Bronfman Auditorium. Available on DVD and Blu-ray, last-named with Dolby Atmos technology, the legendary conductor and the 2016 ECHO Klassik Award winning pianist showcase a performance of the piano’s most famous orchestral repertoire; Beethoven’s infectious and virtuosic Piano Concerto No. 1. and Liszt’s Piano Concerto No. 2 with its waves of sound and grandiose third movement. Last concerto proven to be “a superb showpiece for Buniatishvili, whose technical prowess, theatrical manner and innate glamour mark her out as a natural Liszt interpreter” writes the Guardian.
Rudolf Serkin's 1964 recording of Beethoven's Piano Concerto in C minor is surely among the greatest recordings of the work ever made, and certainly his finest performance of the work. The energy and enthusiasm and even passion he brings to Concerto in C minor is overwhelming, and indeed, it overwhelms Bernstein and the New York Philharmonic, who accompany Serkin with the sort of commitment that only a conductor and orchestra give to soloists when they are deeply inspired. But while Serkin's 1962 recording of Beethoven's Piano Concerto in E flat major is also surely among the greatest recordings of the work ever made, it is not quite Serkin's finest recording of the work.
Covering the breadth of Beethoven’s complete output, this updated 86-CD box set is a staggering collection featuring performers including Alfred Brendel, Sir Colin Davis, David Zinman, Herbert Blomstedt, Staatskapelle Dresden and the London Symphony Orchestra.
Featured works include: Symphonies, Piano Concertos, Violin Concerto & Romances, Overtures and other orchestral works, Fidelio, Leonore, Septet, Sextet, String Quintets, String Quartets, String Trios, Violin Sonatas, Cello Sonatas, Chamber music for flute, Music for winds and brass, Piano Quintet, Clarinet Trio, Piano Sonatas & Variations, Songs, Masses.
Beethoven was the last great composer to write string trios, and his are the finest works of their type. Mozart hardly touched this particular combination, and Haydn wrote quite few very early works which are now completely unknown. In any case, Haydn used two violins and a cello, whereas with Beethoven the standard combination became violin, viola, and cello. These are all early works, expert examples of all that Beethoven learned from Haydn and Mozart in preparation for the writing of his first great string quartets. But far from being mere composition exercises, these are highly rewarding works on their own, and these outstanding performances make the best possible case for their claim to be ranked among Beethoven's chamber music masterpieces.
…Zacharias began recording for EMI the following year, and would, by 1997, make over 40 albums for the label, covering a broad range of repertory, including Mozart (complete concertos and sonatas), Beethoven (complete concertos), Scarlatti, Schubert, Schumann, and many others. Despite great success throughout the 1980s and early '90s in his keyboard career, Zacharias decided to take up conducting in 1992. His debut was in Geneva with the Orchestre de la Suisse Romande…