Beatles Collection 24 Bit

Kicks 'N Sticks - Das Was Bleibt (2018) [Official Digital Download 24-bit/96kHz]

Kicks'N Sticks - Das Was Bleibt (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 70:31 minutes | 1,1 GB
Studio Master, Official Digital Download | Artwork: Front cover

Kicks'n Sticks is the professional jazz orchestra of the Rhine-Neckar Metropolitan Region and unites many of the best jazz musicians living here. The existing since 2002 band today includes a musician pool of over 30 musicians. Kicks'n Sticks has set itself the task of presenting the entire history and range of orchestral jazz in artistically high-quality performances. From these varied concert experiences, Kicks'n Sticks has developed over the years an extremely extensive repertoire ranging from the swing of the 1930s to contemporary world premieres.
Clare Fischer - Songs For Rainy Day Lovers (1967/2018) [Official Digital Download 24-bit/192kHz]

Clare Fischer - Songs For Rainy Day Lovers (1967/2018)
FLAC (tracks) 24-bit/192 kHz | Time - 32:31 minutes | 1,09 GB
Studio Master, Official Digital Download | Artwork: Front cover

"Songs for Rainy Day Lovers" is an album by American keyboardist/composer-arranger Clare Fischer, recorded in August 1966 and released in September 1967 by Columbia Records. It have been reissued in 1978 on the Discovery label as "America the Beautiful". Having provided his distinctive string backgrounds for albums by several artists over the previous decade, including Donald Byrd, Cal Tjader, and the Hi-Lo's, the 37-year-old Fischer finally had an opportunity to provide the same service for himself, as a string orchestra and rhythm section combine to support the leader as featured piano soloist.
Otis Redding - The Complete Studio Albums Collection (2015) [Official Digital Download 24-bit/96kHz]

Otis Redding - The Complete Studio Albums Collection (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 325:24 minutes | 6,18 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

Otis Redding had a brief, but towering career that would shape all of Soul for decades thereafter. Now you can have Redding's entire discography, offered for the first time here in stunning Super HiRez files! All six of Otis's living works, and his four terrific posthumous studio albums are contained here…
Earth, Wind & Fire - The Best Of Earth, Wind & Fire, Vol. 1 (1978/2012) [Official Digital Download 24-bit/96kHz]

Earth, Wind & Fire - The Best Of Earth, Wind & Fire, Vol. 1 (1978/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 40:07 minutes | 959 MB
Studio Master, Official Digital Download | Artwork: Front cover

The Best of Earth, Wind & Fire, Vol. 1 is a 1978 compilation album collecting the charting singles of Earth, Wind & Fire. In addition to collecting previously charting songs, the album also included three new tracks for the band: a cover of The Beatles' song "Got to Get You Into My Life" and the original track "September", both of which also became charting singles, the former also winning a Grammy Award, and "Love Music". The Best of Earth, Wind & Fire, Vol. 1 is ranked numbers 30 and 44 on AllMusic's list of the Top urban and R&B albums of all time respectively.
Black Sabbath - The Ultimate Collection (2016) [Official Digital Download 24-bit/96kHz]

Black Sabbath - The Ultimate Collection (2016) [Remastered]
FLAC (tracks) 24-bit/96 kHz | Time - 150:23 minutes | 3,46 GB
Studio Master, Official Digital Download | Artwork: Front cover

The Ultimate Collection is curated in conjunction with the band, the 31-track collection features the band’s classic songs including Paranoid, Iron Man, War Pigs, N.I.B. and The Wizard as well as choice cuts from their classic albums and is the definitive accompaniment for all Sabbath fans as well as those with a love of hard rock. Average DR11.
The Beatles - Stereo Box Set (2009) [USB Limited Edition 24 bit/44,1 kHz] RE-UP

The Beatles - Stereo Box Set (2009) [USB Limited Edition 24-44,1]
FLAC (tracks) 24 bit/44,1 kHz | Time - 619:03 minutes | Front Cover(s) | 7,69 GB
14 albums, 226 songs, over than 10 hours of Music | Source: Apple-shaped USB drive

Nektar - Recycled (1975) 24-bit/96kHz Vinyl Rip  Vinyl & HR

Posted by son-of-albion at Feb. 20, 2012
Nektar - Recycled (1975) 24-bit/96kHz Vinyl Rip

Nektar - Recycled (1975)
Vinyl rip @ 24/96 | FLAC | Artwork | 849mb
FilePost, Rapidshare | Progressive Rock | 1977 UK LP | Decca SKL-R 5250

This is the Nektar album that stands apart from the rest and breaks through into the realm of classics. Flowing concept-style albums don’t get much better than this.
The Beatles - Magical Mystery Tour [Beatles Collection  - MFSL 1-047] 24-bit/96kHz Vinyl Rip

The Beatles - Magical Mystery Tour (Stereo Mixes)
"SuperVinyl" / MFSL 1-047
Mobile Fidelity "Beatles Collection"
Half-Speed Mastered by Stan Ricker @ MFSL, Los Angeles
Vinyl rip in 24-bit/96kHz | FLAC | no cue or log (vinyl) | Artwork
~ 881 MB | RS | Genre: Rock | 1967

The album feels even more like a collection of singles (instead of an actual movie soundtrack) than Help! or A Hard Day's Night, but maybe that's because every song sounds like it could have been a hit single–with the natural exception of the goofy/weird instrumental "Flying." Even George's "Blue Jay Way" paints a vivid sound-portrait in fascinating detail. (I consider Joni Mitchell's "Car on the Hill" from Court and Spark to be a companion piece about sitting in the Hollywood Hills, waiting for somebody to show up.) And although the goofy TV movie may have been mostly Paul's baby, this album features the two 45 rpm masterpieces that sum up the quintessential best of Lennon and McCartney at this stage of their development: Paul's "Penny Lane" and John's "I Am the Walrus." –Jim Emerson
Louis Armstrong & Duke Ellington - The Great Summit Complete Sessions (1961) {2CD Ron McMaster 24-bit Deluxe Edition}

Louis Armstrong & Duke Ellington - The Great Summit Complete Sessions (1961) {2CD Ron McMaster 24-bit Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 739 Mb | MP3 @320 -> 296 Mb
Full Artwork @ 300 dpi (jpg) -> 46 Mb | 5% repair rar
© 1961, 2000 Roulette Jazz / EMI | 7243 5 24546 2 4
Jazz / Mainstream Jazz

Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars.
The Band - Music From Big Pink (1968) {2000, 24-Bit Remastered & Expanded Edition} Repost

The Band - Music From Big Pink (1968) {2000, 24-Bit Remastered & Expanded Edition}
EAC Rip | WavPack (Img) + Cue + Log ~ 465 Mb | MP3 CBR320 ~ 193 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Roots Rock, Country Rock, Americana | Capitol Records #7243 5 25390 2 4

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically. Tenor Richard Manuel's haunting, lonely voice gave the album much of its frightening aspect, while Rick Danko's and Levon Helm's rough-hewn styles reinforced the songs' rustic fervor.