Toss a line into the vast ocean of budget-priced classic rock greatest-hits/ultimate/definitive collections, and you’re bound to snag a Bay City Rollers overview or two, but this 21-track compilation from Sony may be one of the better ones. Stocked with all ten of the sugary power pop group’s Top Ten hits, as well as 11 choice album cuts, this Greatest Hits collection is both simple and essential, resulting in the perfect introductory companion for those who have yet to “Give a Little Love” to these fine bubblegum Scotsmen.
2010 four CD anthology, the ultimate collection from the '70s Glam/teen sensations spanning their entire career. Includes all of their hits and most popular album tracks including 'Saturday Night', 'Shang-A-Lang', 'Summerlove Sensation', 'All Of Me Loves All Of You', 'Bye Bye Baby', 'Give A Little Love', 'Money Honey' and many more. Also includes rare U.S. and alternate versions and solo Les McKeown tracks, plus cuts lifted from their final three Power Pop/New Wave influenced albums. Expanded artwork includes 36 full color booklet featuring extensive new liner notes, rare photos and a Rollers discography.
54 track 70's. Disco, Glam & Soul compilation.
Jim Hall recorded this trio session with expatriate bassist Jimmy Woode and one of Europe's top drummers, Daniel Humair, during a 1969 visit to Berlin. At first "Up, Up and Away," a Jimmy Webb composition that turned into a huge hit for the pop group the Fifth Dimension, might seem like an unlikely jazz vehicle, but it soars to new heights with the trio's inventive approach…
You may remember him as the leader of the All-Star Frogs (1970-1983) and the Power Trio (1983-present), doing humorous and raunchy blues originals such as “Tie You Up!” and “More Love, More Money”. You may remember the Tumatoe tours of local clubs and endless spins of his songs on college radio in the ’70s and ’80s. You may not know that he played in a FIJI house band (Lothar and the Hand People) at the University of Illinois, the band name created by Bill Geist, CBS Sunday Morning News Correspondent; recorded for Warner Bros. (I Like My Job, produced by John Fogerty of Creedence Clearwater Revival fame); and was a member of REO Speedwagon — he left in 1969, evidently taking all rocking bluesy rootsy-ness with him — and he grew up on the South Side of Chicago, a blues-loving youth who hung with the legends.