Yuko volunteered to be an aid worker in Iraq and was taken hostage there. When freed she returned to Japan, but after being home six months she is still the ongoing object of harassment from her own countrymen. A co-worker finds many angry postings on the Internet denouncing her and spreads them very vocally, causing her boss let her go. He tells her that the atmosphere at the hotel where she works as a chambermaid has changed negatively as a result.
Ginger Baker's mid-'70s profile took another unexpected turn following Cream's blues-rock blood and thunder and his Afro-beat matchups with Fela Kuti. He formed this straight-ahead power trio with the guitar- and bass-playing brother team of Adrian and Paul Gurvitz, who'd briefly lit up the '60s U.K. charts as Gun (of "Race With the Devil" fame). Such a step might have seemed subversively normal for Baker, but he and the brothers had an undeniable chemistry; not surprisingly, their debut album is a self-assured, aggressive affair…
Ripped from the rich soil of Louisiana, these minstrels have found shelter in Murfreesboro, TN where they have established themselves as the most sought after vaudeville rock band in the region. The instrumentation consists of but is not limited to guitar, bass, drums, violin, viola, piano, vocals, accordian, banjo, trumpet, cornet, clarinet, glockenspiel, percussion and other noises.
After 17 albums, Australia's premier purveyors of neo-psychedelic dream pop have finally come unplugged. The Liberation Blue Acoustic Series finds the veteran four-piece laying down 14 cuts – including five new tracks – over the span of a weekend. Beginning with "The Unguarded Moment" from 1981's Of Skins and Heart, they gently burn through classics like "Metropolis" and "Under the Milky Way" with an intimacy and intensity that feel more natural than any studio album that they've released in the last ten years.
If the court of Elizabeth I could be compared to a bee-hive, John Dowland was one of its workers, tirelessly bringing in news from the Continent which he constantly visited, and as tirelessly producing the spiritual sustenance vital for the court's existence. It is this honey that Emma Kirkby and Anthony Rooley have gathered in an imaginative recital that focuses on Dowland's relationship to his various patrons – among them Elizabeth I and the Earl of Essex.