Seven clear, precise lessons in developing exciting chordal harmonies. This course will ultimately lead to your own original harmonic style.
Guitar ace Sid Jacobs provides a step-by-step tutorial to help you develop the knowledge and skills you need to improvise Jazz guitar, in this DVD from the prestigious Musicians Institute! Jacobs carefully guides you through several different aspects of Jazz soloing, giving you the chance to understand and master the harmonic demands of this complex playing style. Lessons include: Three-octave diatonic scale patterns, Triads and triads pairs, Common Jazz phrases, Guide tones and non-chordal tones, Harmonised fourths.
Features 24 bit remastering and comes with a mini-description. A wonderful set from Barney Kessel – bossa-inflected jazz, and a wonderful setting for Barney to hit some very groovy lines on electric guitar ! The group on the date is part of the strength of the record – with Conte Candoli on trumpet, Emil Richards on vibes, Paul Horn on flute, and Victor Feldman on piano – with loads of great percussion and guitar interplay on the set, plus some excellent use of flute and vibes – all of which makes for the sort of session that really translates the Brazilian groove into the best sort of sound the LA scene was cutting at the time ! Nice, light, and dancing rhythms – and titles that include "Love", "Days Of Wine & Roses", "Latin Dance #1", "Lady Byrd", and "One Note Samba".
A fantastic addition to the Barney Kessel catalog of the 50s – a never-heard live set that has the guitarist in form that's every bit as strong as his famous albums for Contemporary Records! In fact, the strength of the recording may well capture Kessel at a level that beats those sessions – as Barney's playing live, with a bit more bite – and really grabs us with the strong tone on his solos – and the sense of energy he gets in a quartet that also includes a young Pete Jolly on piano! The recording quality is excellent – crystal-clear, and very focused – and the set isn't one of those lost tapes that should have stayed "lost" – but instead a real lost chapter in Barney's tremendous career.
Features 24 bit remastering and comes with a mini-description. Those seeking Barney Kessel's legendary jazz stylings should look elsewhere. As a guitarist in the `50s, Kessel was renowned for his cool, bop-inspired playing in small quartets on sessions with the Contemporary label. But in the early `60s he signed with Reprise and embarked on a series of pop records. This was hardly new territory for Kessel, as he'd been backing pop musicians for years, and was a first-call guitarist for pop titans like Phil Spector; but as a front-man, this was a break from the jazz sessions he'd previously led. On his debut for Reprise, Kessel reinterpreted Henry Mancini's soundtrack for Breakfast at Tiffany's with a septet that included the superb playing of Paul Horn on saxophone and flute.
This is an unusual set that has been reissued on CD. During an era when many Broadway and movie scores were recorded in jazz settings (thanks in part to the success of Shelly Manne's best-selling My Fair Lady album), guitarist Barney Kessel chose to interpret nine melodies from Bizet's opera Carmen. The guitarist is heard in three different settings: joined by five woodwinds and a rhythm section; with five jazz horns (including altoist Herb Geller and trumpeter Ray Linn) and a trio; and with vibraphonist Victor Feldman in a quintet. Kessel also wrote the arrangements, which pay tribute to the melodies while not being shy of swinging the themes. An interesting if not essential project.
This DVD is designed for the guitarist who wants to study jazz guitar improvisation. This course uses a logical, beginning approach that includes jazz theory explanations, common chord substitutions, major jazz scales, and modes and their applications. No music reading is required in this course, however, knowledge of chord diagrams and tablature is needed.