The unlikely story of how, between 1929 and 1945, a group of tweed-wearing radicals and pin-striped bureaucrats created the most influential movement in the history of British film. They were the British Documentary Movement and they gave Britons a taste for watching films about real life. They were an odd bunch, as one wit among them later admitted. "A documentary director must be a gentleman… and a socialist." They were inspired by a big idea - that films about real life would change the world. That, if people of all backgrounds saw each other on screen - as they really were - they would get to know and respect each other more. As John Grierson, the former street preacher who founded the Movement said: "Documentary outlines the patterns of interdependence". The Documentary Film Mob assembles a collection of captivating film portraits of Britain, during the economic crisis of the 1930s and the Second World War. Featuring classic documentaries about slums and coal mines, about potters and posties, about the bombers and the Blitz, the programme reveals the fascinating story of what was also going on behind the camera. Of how the documentary was born and became part of British culture.
A spinoff of its parent magazine, Classic Rock Presents Prog takes a look at progressive music and the artists who weave them together. Each issue takes a soul-searching foray into the hearts and minds of the heroes of rock, reviewing both new and old releases. Building upon the history of some of the most genre-defining pieces ever devised and those who followed who continue to refine, revolutionise and completely discard the formulas of those who came before. Reflecting on the proud genesis of this unexpected genre, Classic Rock Presents Prog is an able tutor for those in the dark about the evolution of progressive music, and a tonic for existing fans.
Morgan Neville's full-length documentary is James Taylor and Carole King's first-hand account of the genesis and blossoming of the 1970s singer-songwriter culture in LA, focusing on the backgrounds and emerging collaboration between Taylor, King and the Troubadour, the famed West Hollywood club that nurtured a community of gifted young artists and singer-songwriters. Taylor and King first performed together at the Troubadour in November 1970, and the film explores their coming together and the growth of a new, personal voice in songwriting pioneered by a small group of fledgling artists around the club. Contributors include Taylor, King, David Crosby, Roger McGuinn, Jackson Browne, Bonnie Raitt, Kris Kristofferson, JD Souther, Peter Asher, Cheech & Chong, Steve Martin and Elton John.
An astute observation based on real cases of bullying. In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The thieves used an elaborate scheme called the 'little brother number' or 'brother trick', involving advanced role-play and gang rhetoric rather than physical violence.