Back to the Street is the eighth studio album of the Christian rock band, Petra. The guitar is mixed really low, making the whole sound of it seem murky. The replacement of lead singer Greg X. Volz with John Schlitt, plus the addition of new producers John and Dino Elefante, made this a transition album. About half the songs here are so-so (Another Crossroad and Run for Cover sound like the same song with different lyrics) while the others are excellent.
Transmetropolitan is a cyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics. The series was originally part of the short-lived DC Comics imprint Helix, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future, an homage to gonzo journalism founder Hunter S. Thompson.
Trombonist Wayne Henderson has had a surprisingly sporadic solo career. During his years with the Jazz Crusaders, he only led two record dates of his own, and it was not until a decade after he left the group that he led his third session. Henderson does take some fine solos on this generally rewarding disc, which also features tenor saxophonist Wilton Felder (his old section mate in the Crusaders), keyboardist Rob Mullins, and guitarist Dwight Sills. The release, which is subtitled "The Next Crusade," is an extension of Henderson's old band, and the selections range from straight-ahead (including "Joshua") to soul-jazz and some funkier sounds. Worth picking up, although this CD will probably be difficult to find.
Most remix albums smack of weak marketing. Less about the music itself, they're often more concerned with fulfilling contractual obligations. Sadly "All Back To The Mine" is not an exception to the rule and represents an unnecessary pillage through Moloko's patchy back catalogue. Culled from five years' worth of archive, what you actually get are 21 mixes (10 of which have never appeared on any commercial UK format) of varying quality and style.