Bach Freiburger

Johann Christoph Friedrich Bach - Freiburger Barockorchester - Concerti (2010)

Johann Christoph Friedrich Bach - Freiburger Barockorchester - Concerti
EAC+LOG+CUE | WV: 352 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Carus # 83.306 | Country/Year: Germany 2010
Genre: Classical | Style: Early Classical Period

…I was not expecting this music to be especially interesting. Instead I have found delight and surprise, not so much at the playing - I always knew that the Freiburg would offer a big commitment to the music - but at JCF’s material which certainly catches and holds the attention. His ideas are lively and clearly sprung from a fresh and fecund musical imagination. This disc will add considerably to your musical knowledge and enjoyment.
Johann Christian Bach - Freiburger Barockorchester - Concerti (2007)

Johann Christian Bach - Freiburger Barockorchester - Concerti
EAC+LOG+CUE | WV: 283 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Carus # 83.307 | Country/Year: Germany 2007
Genre: Classical | Style: Early Classical Period

…In short: the so-called "English Bach" is portrayed here in a very fascinating way; you only really regrets having so few comparisons to the reading of historical conductors.
Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti (2002)

Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti
EAC+LOG+CUE | WV: 366 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Carus # 83.304 | Country/Year: Germany 2002
Genre: Classical | Style: Baroque, Early Classical Period

…In short: an all around enjoyable and highly recommended CD!

C.P.E. Bach - Freiburger Barockorchester - Concerti (2005)  Music

Posted by luckburz at Dec. 30, 2012
C.P.E. Bach - Freiburger Barockorchester - Concerti (2005)

C.P.E. Bach - Freiburger Barockorchester - Concerti
EAC+LOG+CUE | WV: 457 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Carus # 83.305 | Country/Year: Germany 2005
Genre: Classical | Style: Classical

…For fans of C.P.E Bach, this disc will be fascinating. For fans of late Baroque and early Classical music who don't already know C.P.E.'s music, it will be revelatory.

Freiburger Barockorchester - Edition (10CDs) [2011]  Music

Posted by ArlegZ at Oct. 11, 2017
Freiburger Barockorchester - Edition (10CDs) [2011]

Freiburger Barockorchester - Edition (10CDs) [2011]
EAC | FLAC | Image (Cue & Log) ~ 3.17 Gb | Total time: 11:01:49 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697937052 | Recorded: 1990-1996

Das Freiburger Barockorchester zählt zu den wichtigsten Kammerorchestern weltweit. Zahlreiche nationale und internationale Auszeichnungen, darunter der Grammy Award, Echo Klassik oder der Deutsche Schallplattenpreis sind Zeugnisse ihres einzigartigen Schaffens.
Ottavio Dantone & Accademia Bizantina - Bach: The Art of Fugue (2017)

Ottavio Dantone & Accademia Bizantina - Bach: The Art of Fugue
Classical | WEB FLAC (tracks) & d. booklet | 76:46 min | 436 MB
Label: Decca | Tracks: 20 | Rls.date: 2017

Accademia Bizantina and Ottavio Dantone present a refreshing new interpretation of Bach’s The Art of Fugue.
Freiburger Barockorchester & Pablo Heras-Casado - Mendelssohn: Symphonies Nos. 3 & 4 (2016) [Official Digital Download 24/96]

Freiburger Barockorchester & Pablo Heras-Casado - Mendelssohn: Symphonies Nos. 3 & 4 (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 67:32 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

In later life, Mendelssohn always opposed the use of the terms ‘Scottish’ and ‘Italian’ for his symphonies in A minor and A major respectively, as if to emphasise their qualities as ‘pure’ music. Yet they were directly inspired by his European Grand Tour of 1829-32: from the gloomy ruins of Holyrood Abbey to the sun-drenched landscapes of Rome and Naples, his imagination fashioned masterpieces that have seldom been surpassed for their sense of orchestral colour, vividly brought out here by the period instruments of the Freiburger Barockorchester.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017)

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 45:55 min | 225 MB
Label: harmonia mundi | Tracks: 15 | Rls.date: 2017

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017) [Official Digital Download 24/96]

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion) (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 45:55 minutes | 806 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration.

Carolyn Sampson - J.S. Bach: Cantatas for Soprano (2017)  Music

Posted by SERTiL at Sept. 1, 2017
Carolyn Sampson - J.S. Bach: Cantatas for Soprano (2017)

Carolyn Sampson - J.S. Bach: Cantatas for Soprano
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 62:52 min | 303 MB
Label: Harmonia Mundi – HMM 902252 | Tracks: 23 | Rls.date: 2017
Classical, Canata, Vocal

For biographer Philipp Spitta, Bach's period as organist and later Konzertmeister to the Duke of Weimar (1708-17) was the time of his ‘early mastery’. Nowhere is this more evident than in the small but highly distinguished body of cantatas he wrote there, whether for the court chapel – the Himmelsburg or ‘Castle of Heaven’ – or for some clearly very joyful wedding (BWV202). From the ravishing duets for soprano and oboe of the latter to the penitential strains of BWV199, the radiant voice of Carolyn Sampson and the virtuosos of the Freiburger Barockorchester do full justice to Bach's inventiveness.