The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the generations, from larger to smaller ensembles and also towards a greater dramatic understanding of the implications of Bach’s ambitious ‘stereophonic’ double choir and orchestra choreography.
Here, again, Brilliant Classics has licensed recordings of the passions, masses and other works. The St. Matthew and St. John passions are good recordings by the Brandenburg Consort and the King's College Choir; I find these two passions to be a bit weak, and this is a shame.
Since 1727, JS Bach's "Great Passion" has gripped the hearts and uplifted the minds of audiences all over the globe. Nearly three centuries after its premiere, the work has lost none of its power to evoke feelings of compassion for all those who suffer. Its mix of urgent story-telling, meditative arias and mighty choruses sets St Matthew's account of Christ's betrayal, trial and execution eloquently and emotionally.
With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L oiseau lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) overwhelming in its impact and emotional content.
By his twenties, Antonius "Ton" Koopman was already carving a musical niche for himself in which he would rise to become one of the world's most prominent performers in the early music movement. Koopman was born in the Dutch town of Zwolle in 1944. After what he describes as a "classical education," he went to Amsterdam to study organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology. Koopman's musical interests from the outset centered upon the re-creation of older musics on their original instruments in a thoroughly researched historical performing style. He founded his first Baroque orchestra in 1966, followed by an exuberant career (40 years and counting) of mingled performance, conducting, and scholarship.
…Whatever other recordings you may have in your library, Veldhoven’s inspired reading, with its exceptional blend of committed musicianship and scholarship should definitely be auditioned by all who love this work. This is without doubt a top recommendation and anyone receiving this set, as an Easter gift, will surely be delighted.
… Born in 1933 in Stuttgart, Germany, Helmuth Rilling is an active conductor, pedagogue and ambassador for the music of Bach worldwide. From 1970 to 1984, Mr. Rilling was the first musician to record all of Bach's Cantatas, and was the guiding hand behind the Internationale Bachakademie's critically-acclaimed project to record the complete works of Bach (172 CDs), which was released in 2000 to coincide with the 250th Anniversary of Bach's death. Since 1970, he has been the Artistic Director of the Oregon Bach Festival. In 2003 he became an Honorary Member of the American Academy of the Arts and Sciences. He won a Grammy® Award in 2000 for his recording of Krzystof Penderecki's “Credo” and was again nominated in 2001 for his recording of Wolfgang Rihm's "Deus Passus." In 2008, he was honored with the Sanford Award by the Yale School of Music at Yale University…