Two classic Vee-Jay albums from blues master John Lee Hooker! One of the great blues collections of the post-World War II era. John Lee Hooker developed a “talking blues” style that became his trademark. Though similar to the early Delta tradition, his metrically free approach and unique sound would make him a staple of the Detroit blues tradition. Often called the “King of the Boogie”, Hooker’s driving, rhythmic approach to guitar playing has become an integral part of the blues.
Final recordings: Face to Face combines previously released material from John Lee Hooker with unfinished tracks he was working on before he died. Compiled by the estate of Hooker, with his daughter Zakiya at the helm, the unreleased material leans heavily toward soul-blues united with Hooker's patented electric Delta boogie. "Loving People," "Funky Mabel," "Six Page Letter" (a ballad with synth strings), and "Rock These Blues Away" are highlights. Zakiya Hooker takes the spotlight on "Mean Mean World," singing lead alongside her father, and the acoustic "Wednesday Evening Blues" features George Thorogood on guitar…
John Lee Hooker was an American blues singer-songwriter and guitarist, born near Clarksdale, Mississippi. Hooker began his life as the son of a sharecropper, William Hooker, and rose to prominence performing his own unique style of what was originally closest to Delta blues. He developed a 'talking blues' style that was his trademark. Though similar to the early Delta blues, his music was metrically free. John Lee Hooker could be said to embody his own unique genre of the blues, often incorporating the boogie-woogie piano style and a driving rhythm into his masterful and idiosyncratic blues guitar and singing. His best known songs include "Boogie Chillen" (1948) and "Boom Boom" (1962).
2010, three CD collection from the Blues great housed in a tin box. John Lee Hooker left a legacy which chronicled the journey that Blues music travelled in his own lifetime, from its early, earthy origins to the international musical language it is today.
This 1980 concert film captures blues legend John Lee Hooker performing at the Montreal Jazz Festival. The man performs close to a dozen songs including "One Bourbon, One Scotch, One Beer," "Boom Boom," "I'm in the Mood," and "Chicken and Gravy." The DVD release of the film includes additional footage of the guitarist. ~ Perry Seibert
Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).