Bwv 801

Karin Kei Nagano - J.S. Bach: Inventions & Sinfonias, BWV 772-801 (2017)

Karin Kei Nagano - J.S. Bach: Inventions & Sinfonias, BWV 772-801
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 54:03 min | 177 MB
Label: Analekta – AN 2 8771 | Tracks: 30 | Rls.date: 2017
Classical, Baroque, Piano

Ever since Johann Sebastian Bach wrote this collection of short works for his children and students as a means for mastering fundamental keyboard technique, his “Inventionen and Sinfonien” have remained a basis for keyboard pedagogical practice. In my own case, my piano teacher introduced me to Bach’s “Inventionen and Sinfonien” when my fingers could not even reach an octave. I remember making big arm gestures to reach the intervals that were too broad for my hands. My feet would dangle somewhere in the space between the bench and the pedals. Since that early encounter, these pieces have been a fundamental part of my repertoire and have accompanied my whole musical journey.
Simone Dinnerstein - Bach: Inventions & Sinfonias, BWV 772-801 (2015) [Official Digital Download]

Simone Dinnerstein - Bach: Inventions & Sinfonias, BWV 772-801 (2015)
FLAC (tracks) 24-bit/44.1 kHz | Time - 53:17 minutes | 440 MB
Studio Master, Official Digital Download | Artwork: Front Cover

On her new album, Bach Inventions & Sinfonias, renowned pianist Simone Dinnerstein reconnects with the foundation of her musical career and what she's best known for a solo album of J.S. Bach's keyboard works. The recording was made at the Academy of Arts and Letters in New York by Grammy-winning producer Adam Abeshouse. The Inventions and Sinfonias, commonly known as the 3-part inventions, were originally written in 1723 as a musical guide for keyboard players and remain a core part of the piano repertoire for students, amateurs, and professional musicians alike.
Karin Kei Nagano - J.S. Bach: Inventions & Sinfonias, BWV 772-801 (2017)

Karin Kei Nagano - J.S. Bach: Inventions & Sinfonias, BWV 772-801
Classical | MP3 CBR 320 kbps | 54:03 min | 124 MB
Label: Analekta | Tracks: 30 | Rls.date: 2017

Ever since Johann Sebastian Bach wrote this collection of short works for his children and students as a means for mastering fundamental keyboard technique, his “Inventionen and Sinfonien” have remained a basis for keyboard pedagogical practice. In my own case, my piano teacher introduced me to Bach’s “Inventionen and Sinfonien” when my fingers could not even reach an octave. I remember making big arm gestures to reach the intervals that were too broad for my hands. My feet would dangle somewhere in the space between the bench and the pedals. Since that early encounter, these pieces have been a fundamental part of my repertoire and have accompanied my whole musical journey.
Thomas Ragossnig - Bach: Inventions & Sinfonias, BWV 772-801 (2016) [TR24][OF]

Thomas Ragossnig - Bach: Inventions & Sinfonias, BWV 772-801
Classical | FLAC (tracks) 24-bit/96 kHz | 51:59 min | 1.10 GB | Digital booklet
Label: Solo Musica | Tracks: 30 | Rls.date: 2016

Harpsichordist Thomas Ragossnig devotes this recording to Bach's Inventions and Sinfonias, delivered in an altered order from the typical ascending scale arrangement. Ragossnig presents his musically more meaningful and attractive sequence on this album for the first time, mixing the Inventions and Sinfonias in the same key and performing them in groups of two or four. The result is an exciting programme that provides an opportunity to linger longer in each key, as in a Baroque suite. Ragossnig zestfully interprets the various musical affections in these miniatures, so that these complex works function as a meaningful and stimulating cycle and not only as contrapuntal references.
La Nuova Musica; David Bates, Lucy Crowe, Tim Mead - Pergolesi: Stabat Mater; J.S. Bach: Cantatas BWV 54 & 170 (2017)

Giovanni Pergolesi: Stabat Mater; Johann Sebastian Bach: Cantatas BWV 54 & 170 (2017)
Lucy Crowe, soprano; Tim Mead, countertenor; La Nuova Musica; David Bates, conductor

EAC | FLAC | Image (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 147 Mb | Artwork included
Classical, Sacred, Vocal | Label: Harmonia Mundi | # HMM907589 | Time: 01:04:14

Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi’s 'Stabat mater', an acknowledged masterpiece by one of the 18th century’s most influential composers. Bach so admired the composition of his Neapolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Nuova Musica, in its 10th anniversary year, and its two eminent soloists display equal mastery of both idioms.

801 - 801 Live (1976) {1999 Expression/Virgin}  Music

Posted by TestTickles at Nov. 6, 2017
801 - 801 Live (1976) {1999 Expression/Virgin}

801 - 801 Live (1976) {1999 Expression/Virgin}
MP3 CBR 320kbps | RAR | 126 mb
Genre: electronic rock, progressive rock

801 Live is the 1976 album by 801, a British band lead by guitarist Phil Manzanera. Originally released by Island Records, this is a remastered compact disc from Expression/Virgin released in 1999.
Walter Gieseking - Complete Bach Recordings On Deutsche Grammophon (2017)

Walter Gieseking - Complete Bach Recordings On Deutsche Grammophon
Classical | WEB FLAC (tracks) & d. booklet | 437:04 min | 1.32 GB
Label: Deutsche Grammophon | Tracks: 147 | Rls.date: 2017

Here are the complete Bach recordings of legendary pianist Walter Gieseking for Deutsche Grammophon/Heliodor, newly remastered and many appearing on CD for the first time. Include notes by Gieseking authority Frank R. Latino as well as the pianist's own remarks on Bach interpretation. "No one, according to some, had ever played Bach like Gieseking, and they rhapsodized over an amazing technic, a style that was as fluent and easy as it was immaculate" (Time magazine) © Deutsche Grammophon
Glenn Gould - The Complete Columbia Album Collection (2015) [Official Digital Download]

Glenn Gould - The Complete Columbia Album Collection (2015)
FLAC (tracks) 24-bit/44.1 kHz | Time - 58:16:23 | 31.6 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

In 1955 Glenn Gould signed his exclusive contract with Columbia Masterworks, and remained with the label until his untimely death in 1982. Gould s first release, Bach s Goldberg Variations, released in January 1956, took the music world by storm, and immediately established the 22-year-old Canadian pianist as one of the most brilliant, original, charismatic and provocative classical performers of his time.

Bela Fleck - Perpetual Motion (2001)  Music

Posted by tirexiss at May 24, 2017
Bela Fleck - Perpetual Motion (2001)

Bela Fleck - Perpetual Motion (2001)
EAC | FLAC (tracks+.cue, log) | Covers Included | 57:44 | 341 MB
Genre: Classical Crossover, Bluegrass | Label: Sony Classical | Catalog: SK 89610

Banjo virtuoso Béla Fleck has certainly broken more boundaries than any other picker in recent memory, from his early days performing bluegrass-inspired folk compositions on Rounder in the late '70s to his quirky jazz freak-outs with the Flecktones throughout the '90s. In late 2001, this peculiar innovator released an album of banjo interpretations of classical works by Bach, Chopin, and Scarlatti. Before classical purists roll their eyes, they must remember that the banjo hasn't always been seen as the instrument of choice of backwoods musicians in the Appalachian mountains, but as recently as the 1940s was used as a primary rhythm instrument in all manner of parlor music.
Glenn Gould - Bach: The Two & Three Part Inventions (1964/2015) [Official Digital Download 24/44]

Glenn Gould - Bach: The Two & Three Part Inventions (1964/2015)
FLAC (tracks) 24-bit/44.1 kHz | Time - 49:51 minutes | 485 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

For many, the albums Glenn Gould recorded for Columbia between 1955 and 1981 are documents of unalloyed genius, particularly in his imaginative and masterful performances of Bach's keyboard works. For others, less enamored of Gould's recondite theorizing, studio editing, and distracting personal eccentricities (such as humming along out of tune while he played), these recordings are nonetheless fascinating documents of an original mind and still worth studying for their undeniable musicality.