Bruckner Symphony No. 3

Jaap van Zweden, Netherlands Radio Philharmonic- Bruckner: Symphony No. 3 (2013) [Official Digital Download 24/96]

Jaap van Zweden, Netherlands Radio Philharmonic - Bruckner: Symphony No. 3 (2013)
FLAC (tracks) 24-bit/96 kHz | Time - 59:32 minutes | 1.30 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Amongst the many recordings made by the internationally renowned conductor Jaap van Zweden have been highly successful cycles of the complete symphonies of Beethoven and Brahms. He is currently working on a series of Hybrid SACDs with the Netherlands Radio Philharmonic for Octavia and Challenge Classics featuring the symphonies of Anton Bruckner, and recordings of Nos. 2, 4, 5, 7 8 and 9 have already been released to great critical acclaim. This disc features the Third Symphony in D minor, which was dedicated to Richard Wagner.
Andris Nelsons & Gewandhausorchester Leipzig - Bruckner: Symphony No. 3 / Wagner: Tannhäuser Overture (Live) (2017) [24/96]

Andris Nelsons & Gewandhausorchester Leipzig - Bruckner: Symphony No. 3 / Wagner: Tannhäuser Overture (Live) (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 75:51 minutes | 1.26 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Pairing Bruckners Symphony No. 3 with Wagner's Tannhäuser Overture, this album kicks off Deutsche Grammophon's new Bruckner Symphony cycle featuring Grammy-winning conductor Andris Nelsons and the Gewandhausorchester Leipzig. To highlight not only Wagner's influence on Bruckner, but also the differences between the two composers, selected instrumental works by Wagner will be included in each release in the cycle.
Andris Nelsons & Gewandhausorchester Leipzig - Bruckner: Symphony No. 3 / Wagner: Tannhäuser Overture (Live) (2017)

Andris Nelsons & Gewandhausorchester Leipzig - Bruckner: Symphony No. 3 / Wagner: Tannhäuser Overture (Live)
Classical, Orchestral | WEB FLAC (tracks) & d. booklet | 75:51 min | 294 MB
Label: Deutsche Grammophon | Tracks: 05 | Rls.date: 2017

Pairing Bruckners Symphony No. 3 with Wagner's Tannhäuser Overture, this album kicks off Deutsche Grammophon's new Bruckner Symphony cycle featuring Grammy-winning conductor Andris Nelsons and the Gewandhausorchester Leipzig. To highlight not only Wagner's influence on Bruckner, but also the differences between the two composers, selected instrumental works by Wagner will be included in each release in the cycle.
A.Bruckner - Symphony No.3 red. 1878 (Philharmonia Orchestra - L. von Matacic) - 2001

Anton Bruckner - Symphony No.3 red. 1878 (Philharmonia Orchestra - Lovro von Matačić)
Classical | EAC | FLAC, IMG+CUE, LOG | Covers | 1CD, 257 MB
Label: BBC Legends | Catalog Number: BBCL 4079-2 | TT: 59'25''

In 1983 the eighty-four year old Lovro Von Matatic appeared for the first and only time at a BBC Promenade Concert with the Philharmonia Orchestra with whom he had been associated since the 1950s. He conducted Schumann’s Piano Concerto with Cecille Ousset and this performance of Bruckner’s Third Symphony.

Anton Bruckner - Symphony No 3 - Simone Young  Music

Posted by DentonW at Aug. 9, 2011
Anton Bruckner - Symphony No 3 - Simone Young

Anton Bruckner - Symphony No 3 in d minor (Original Version) - Simone Young [SACD]
EAC (FLAC, IMG+CUE, LOG) | Complete Scans 300/600 dpi | 1CD, 298 MB + 37 MB (.rar 3% recovery) | FS & RS
Classical | Label: Oehms Classics OC 624, Germany 2007 | (live recording)

Anton Bruckner : Symphony No.3 (1877 version ed.Leopold Nowak) - Staatskapelle Dresden, Giuseppe Sinopoli (1991)

Anton Bruckner : Symphony No.3 - Staatskapelle Dresden - Giuseppe Sinopoli (1991)
Unknown Rip | APE tracks (No Cue+No Log) | Complete Scans | 59 min. | 232 MB
19th Century Music | Orchestral Music | Deutsche Grammophon 431 684-2 | 1991

Anton Bruckner (4 September 1824 – 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms, who pointed to their large size, use of repetition, and Bruckner's propensity to revise many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred.
Anton Bruckner - Günter Wand / Kölner RSO - Symphony No.3 (1989)

Anton Bruckner - Symphony No. 3 in D minor (1889)
Kölner Rundfunk-Sinfonie-Orchester / Günter Wand
EAC+LOG+CUE | FLAC: 229 MB | Full Artwork: 76 MB | 5% Recovery Info
Label/Cat#: RCA Victor "Gold Seal" # GD 60078 | Country/Year: Germany 1989, 1981
Genre: Classical | Style: Romantic

…In his late years, Wand restricted his repertoire almost exclusively to the symphonies of Anton Bruckner (which he had never conducted until he was over 60), Schubert, Brahms, Beethoven and Mozart. Wand regarded Bruckner as the "most important symphonist after Beethoven". Wand's biographer Wolfgang Seifert believes that "it is no exaggeration to say that Günter Wand has made an indispensable contribution toward the understanding of Bruckner in our time."
Philharmonie Festiva & Gerd Schaller - Bruckner: Symphony No. 9 (Completed Version) (2017)

Philharmonie Festiva & Gerd Schaller - Bruckner: Symphony No. 9 (Completed Version) (2017)
Classical | MP3 CBR 320 kbps | 01:24:33 | 194 MB
Label: Profil

On July 24th, Gerd Schaller conducted the Philharmonia Festiva in a performance of the Bruckner Symphony No. 9 in a "four movement version with Finale supplemented from original sources and completed by Gerd Schaller." The performance took place in the Ebrach Abbey in Ebrach, Germany as part of the Ebracher Musiksommer. As with Schaller's other Bruckner performances at Ebrach, the concert was recorded by Bavarian Radio Studio Franken and will be released on CD this December on the Profil label. Gerd Schaller’s completion and performance gained long applause, the conductor repeatedly called back to take a further bow, and to my ears succeeded wonderfully in its aim of presenting a completed Ninth as a great musical event and a shattering, revelatory spiritual journey. Ken Ward on the original concert.
Staatskapelle Dresden & Christian Thielemann - Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878-1880 Version

Staatskapelle Dresden & Christian Thielemann - Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878-1880 Version, Ed. L. Nowak) [Live] (2017)
Classical | MP3 CBR 320 kbps | 01:12:57 | 167 MB
Label: Profil

The live recorded sound here is exceptionally fine, the occasional faint cough notwithstanding, both reflecting the excellence of the Semperoper acoustic and matching the majesty of Thielemann’s interpretation. The key to his approach is that he generates enormous grandeur without ever skirting bombast. Thielemann captures the Dionysian exhilaration of the Scherzo effortlessly without affectation, the lovely Trio relaxing into a paean to Mother Nature surely just as Bruckner intended.
Chicago Symphony Orchestra, Riccardo Muti - Anton Bruckner: Symphony No. 9 (2017)

Anton Bruckner: Symphony No. 9 (2017)
Chicago Symphony Orchestra, conducted by Riccardo Muti

EAC | FLAC | Image (Cue&Log) ~ 313 Mb | Scans included
Classical | Label: CSO-Resound | # CSOR901 1701 | 01:02:20

For this 2017 CSO-Resound release, Riccardo Muti and the Chicago Symphony Orchestra present Anton Bruckner's unfinished Symphony No. 9 in D minor in a monumental performance that impresses with its marmoreal weight, poignant lyricism, and brutal volatility. Not widely known for his few Bruckner recordings, Muti nonetheless delivers this symphony with the passion and sensitivity of an experienced Brucknerian, and possibly because he hasn't recorded it before, this live rendition of the Ninth seems like an attempt to make up for lost time. Muti's intensity and the orchestra's ferocious power combine to make a memorable reading that may remind listeners of performances by such greats as Günter Wand, Eugen Jochum, and particularly Carlo Maria Giulini, whose recordings of the Ninth are recognized benchmarks. While Muti only performs the three completed movements, and eschews any attempted reconstructions of the surviving Finale sketches, the performance has a genuine feeling of wholeness, and the Adagio particularly has the grandeur and pathos that make it feel like a convincing ending, albeit one that the composer did not intend.