One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired".
Reissue from Art Blakey & The Jazz Messengers features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blues March" for the first time in the world. Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. There are three tracks that are immortal and will always stand the test of time. The title selection is a pure tuneful melody stewed in a bluesy shuffle penned by pianist Bobby Timmons, while tenor saxophonist Benny Golson's classy, slowed "Along Came Betty" and the static, militaristic "Blues March" will always have a home in the repertoire of every student or professional jazz band.
Recording live at New York's Blue Note club, Chick Corea unveiled another new group, the challenging Origin acoustic sextet, on this CD, winnowing down some 12 sets into an hour-plus package. With Steve Davis (trombone) and Bob Sheppard and Steve Wilson (flutes and reeds) up front, Corea had a flexible horn choir to write for, and he uses mellow, urbane voicings that recall some of the Herbie Hancock Sextet's early work in the late '60s. The interplay that Avishai Cohen (bass), Adam Cruz (drums), and Corea have with the horns, though, is anything but mellow, and frequently they strike combative sparks against each other. Some of the selections, including "Double Image" (no relation to Joe Zawinul's electric jazz classic) and "Dreamless," have Latin-ish grooves – which are no strangers to Corea's Spanish heart – in spots.