In 1851 Olive Oatman was a thirteen-year-old pioneer traveling west toward Zion, with her Mormon family. Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own. She was fully assimilated and perfectly happy when, at nineteen, she was ransomed back to white society.
Fusion jazz-rock music in relatively fast tempo demonstrating great combination of sax and keyboard with dazzling drum work. But this album is different – it’s much more softer than Jaddoo. It’s a relaxing experience if you can enjoy a jazz fusion kind of music.
Reissue with the latest remastering. Features original cover artwork. The 1978 Jazz Messengers was one of Art Blakey's strongest groups in years, although it would soon be overshadowed by its successor (which introduced a young Wynton Marsalis). With trumpeter Valerie Ponomarev, altoist Bobby Watson and a tenor saxophonist forming a potent frontline and new material from each of the principals (plus pianist James Williams) in addition to a lengthy ballad medley, this is a fine all-around set, last available on LP.
Three Blind Mice Blu-spec CD reissue series. Limited paper sleeve edition. Yellow Carcass in the Blue is considered an important album by talented singer Kimiko Kasai in which she really began to show her original qualities. At the same time, as the "double bill" credit suggests, it was also a showcase for the Kosuke Mine Quartet, which plays two tunes on their own.
Referring to "Kind of Blue" as the best jazz album of all time might actually be doing it a disservice. Jazz is one of those complex artforms which many people shy away from, afraid that they will not be able to understand it. So extoling its virtues might frighten people even more. But "Kind of Blue" is simply beautiful music. When listening to it, you forget everything you might feel about jazz, whether good or bad, and can only listen to it, amazed and excited. Miles Davis has created something so powerful yet full of simple, memorable melodies. Every note takes you further into that state where you simply hush up, tell whoever you are with to shut up, and listen. It is certainly not the type of music I would put on when friends come over for a chat. But it is an album which I can listen to, over and over and over again. Definitely something for MUSIC fans.
Black Gives Way to Blue is the fourth studio album by the American rock band Alice in Chains, released in September 2009. It is their first record without singer Layne Staley, who died in 2002. It instead features new vocalist and rhythm guitarist William DuVall. It is the first Alice in Chains album released on Virgin Records and their first venture away from Columbia, who handled all of their previous releases. The album was certified gold by the RIAA on May 26, 2010, with shipments exceeding 500,000 copies and has sold 1 million copies worldwide.
This early recording by Blue Mitchell finds the distinctive trumpeter in excellent form in a quintet also featuring tenor saxophonist Benny Golson (who contributed "Blues on My Mind"), either Wynton Kelly or Cedar Walton on piano, Paul Chambers or Sam Jones on bass and drummer Art Blakey. The consistently swinging repertoire includes a surprisingly effective version of "When the Saints Go Marching In." "Studio B," recorded in the same period but formerly available only in a sampler, has been added to the program. It's an enjoyable date of high-quality hard bop.
Soundtrack to the Paramount Pictures film "Romancing the Blue Stone," a wild story about a group of blues enthusiasts and a blue diamond. Hiding behind the band, called "Chi-Town Hustlers" in the film, the "sons of Blues" to Billy Branch (harp) and Carl Weathersby (guitar). Excellent Chicago blues.– by Amazon