Ole Børud (born December 6, 1976) is a Norwegian singer, songwriter and instrumentalist, known both for his solo recordings and as a member of the band Extol. Børud, son of Norwegian gospel singer Arnold Børud, began performing music at age five as part of Arnold B. Family. He later started playing in hard rock and heavy metal bands, first in the two-man project Schaliach and later for Extol and, briefly, the hardcore punk band Selfmindead. Since the early 2000s, he has also recorded several solo albums featuring pop, funk, and jazz styles. In 2016, he formed a heavy metal side-project, Fleshkiller, with his former Schaliach band-mate, Peter Dalbackk, and drummer Andreas Skorpe Sjøen.
Tiara is a Japanese R&B singer signed to NIPPON CROWN RECORDS. She made her debut as an indies singer in 2007 under EXIT TUNES with the single "Magic☆", however she become known after the release of her second single "Change" which reached #3 on the Oricon indie charts. In 2009 she released her major debut single "Sayonara wo Kimi ni…".
The 2012 two-disc anthology The Blues King's Best compiles many of legendary guitarist B.B. King's recordings. The first disc features studio recordings from 1949 to 1960 and the second disc showcases live recordings from various dates over the years – some well past 1960. Included are such stellar studio recordings as "B.B. Boogie," "Please Love Me," "Swing Low, Sweet Chariot," "The Thrill Is Gone," "How Blue Can You Get?," and many others. This a solid collection that works well as a thorough overview of King's long career.
Japanese original greatest hits album from Last Autumn's Dream includes tracks selected from their first album through the latest one "TEN TANGERINE TALES." Features 2013 remaster. Includes a newly remixed version of "Up In Paradise", plus 3 new recordings: acoustic versions of "Again And Again", "After Tomorrow's Gone", and a cover of John Lennon's "Happy Xmas (War Is Over)".
Nick Cave is a singular figure in contemporary rock music; he first emerged as punk rock was making its presence known in Australia, but though he's never surrendered his status as a provocateur and a musical outlaw, he quickly abandoned the simplicity of punk for something grander and more literate, though no less punishing in its outlook…