This release features a double bill of Massenet's Le Portrait de Manon and Berlioz's song cycle Les nuits d'ete, recorded from live staged performances at the Royal Opera House with artists from the Jette Parker Young Artists Programme and the Southbank Sinfonia led by Geoffrey Paterson and Volker Krafft. This is the first time the composers Massenet and Berlioz have appeared as part of the Opera Rara catalogue. The single-disc set comes with a lavishly illustrated book, including a complete libretto for Le Portrait de Manon and song translations for Les nuits d'ete, as well as detailed notes on both pieces written by the eminent musicologist Hugh Macdonald.
Kiri Te Kanawa does well by these songs, avoiding the billowing excesses of sentiment that in other hands (or vocal chords) can make them sound much too soggy. Although Berlioz gathered them all together under the present title, all of the songs were composed at different times for different singers, so they aren't really a cycle at all. I seldom listen to all of them at once, and you should feel free to take them in any order that suits you. "The Death of Cleopatra" is an early cantata that perfectly suits Jessye Norman's stately delivery. She's always at her best playing royalty, and if they're dying in mortal agony, so much the better.
Oh my God! Wow!!! Are you ready to be terrorized by a March that literally makes you feel as if you ARE the person being marched to the scaffold or a Witch’s Sabbath that makes you feel as if Witches are right there harassing you? For the longest time I merely listened to the Symphonie Fantastique as a disinterested onlooker of the proceedings depicted in the music. I never felt an involvement with the music because of the performers involved—UNTIL NOW!!
Berlioz was the first Romantic master of the orchestra. His music hasn't been surpassed in terms of sheer brilliance and accuracy of effect. This set includes all of the overtures, the Symphonie fantastique, Harold in Italy, the Royal Hunt and Storm from Les Troyens, orchestral music from The Damnation of Faust and Romeo and Juliet, and the completely insane Grande Symphonie funebre et triumphale. Davis achieved his reputation as a conductor as a Berlioz specialist, and he proves an expert advocate on behalf of this stimulating, bizarre, and totally original genius.