Diego Fasolis and his Swiss-Italian forces give a committed, full-blooded performance, with accomplished work from chorus and soloists. The F major Symphony 'in 17 parts' of 1809-Gossec's last symphony-is longer on ceremonial bustle and colourful wind scoring (entertainingly cavorting clarinets in the finale) than on truly memorable invention. But the Larghetto has an agreeable pastoral charm and one striking harmonic purple patch, while the C minor minuet surprises with its unremitting contrapuntal severity. Recommended to the adventurous, who will be rewarded by some fascinating and -in the Requiem-loftily imposing music.(Richard Wigmore)
'This disc is remarkable by any standards. First of all, the music. Francois-Joseph Gossec is hardly a household name, even among lovers of the Classical Era in music, and yet his symphonies established the French symphonic tradition. Along with Mehul, he was the leading composer of Revolutionary France, and his incredible Requiem, written in 1760 and published 20 years later, was aptly chosen to commemorate French citizens killed in the storming of the Bastille in 1789.
This set is self-recommending. The names of Charles Munch and Hector Berlioz evoke the same respect and admiration as Bernstein/Mahler, Beecham/Delius, or Kempe/Strauss, and with good reason. For many years virtually any of these performances could be listed as a prime recommendation, even in a sometimes very crowded field, and the only point worth mentioning in connection with the latest reissue is the fact that RCA finally has gotten it right and included all of Munch's Boston Berlioz recordings. This means that, unlike the previous box, this one includes the stereo Roméo et Juliette (plus the first, mono one) as well as the second (and finer) Symphonie fantastique from 1962.
–David Hurwitz, ClassicsToday.com