Claudio Abbado and his hand-picked Orchestra Mozart have become famous for their exceptional recordings of music by their namesake, but to assume every work in their repertoire has a Koechel number attached to it would be a mistake. For this 2012 release, it demonstrates a great aptitude for the violin concertos of Ludwig van Beethoven and Alban Berg, and the playing is every bit as convincing as the treatment of Mozart's oeuvre.
All are equal before the work, before the mysteries of a score; this was Claudio Abbados heart-felt conviction. For him, the willingness to be open to one another and to the independent life of musical processes was the only prerequisite for making music. In the live performances documented here for the first time, Abbado could be sure of the devotion of these world-class artists: the LUCERNE FESTIVAL ORCHESTRA, the sopranos Christine Schäfer and Juliane Banse, as well as the actor Bruno Ganz. They shared his credo of listening togetherness (Die ZEIT) that made possible those precious moments of musical truth toward which this great conductor strove throughout his life.
With his very own “mysterious seductive power and legendary elegance” (Le Monde), Claudio Abbado opened for the last time the LUCERNE FESTIVAL in the summer of 2013. Only a few months later, the world had to bid farewell to a monumental artist, humanist, great conductor and orchestra founder. Even in the concert itself, documented here, lived a moment of farewell, as the three great works performed tell of the transience of life. The centerpiece of the Eroica is the funeral march revealing “abysses of shattering dimension” - an “intense experience” (Neue Zürcher Zeitung). This record, the last audio-visual documentation of his work, captures once again the extraordinary atmosphere of “vibrant emotionality” that always emerged when Abbado created music with his “orchestra of friends”.
The first new release for ten years from Martha Argerich and Claudio Abbado is their first ever album of concertos by Mozart. The legendary pianist and conductor add the sublime music of Mozart to their unrivaled, multi award-winning DG discography of concertos by Tchaikovsky, Chopin, Ravel, Prokofiev, Beethoven and Liszt. Both concertos were recorded with Claudio Abbado s Orchestra Mozart, at concert performances at the 2013 Lucerne Festival that had critics searching for new superlatives. The album contrasts two very different works. Written in D minor, the key of the Queen Of the Night and the opening of Mozart s Requiem, the darkly dramatic No.20, K.466 has a stormy, operatic temperament that looks forward eighteen months to the premiere of Don Giovanni. With its majestic and radiant opening and a march famously reminiscent of the Marseillaise, No.25 in C major, K.503 is the culmination of the twelve transcendent concertos Mozart wrote in Vienna between 1784 and 1786. This release is Martha Argerich s first recording of solo concertos by Mozart on Deutsche Grammophon.
This new recording of…the great D minor, K466, made last November with the LSO under Abbado, is immensely welcome. The old magic is still there: the ability to make every semiquaver in a run count: the way he can invest even quite 'innocent' music…with real meaning and character; the pathos and lyricism he brings to the slow movements; and the tension and drama he reveals in the outer movements of K466.
The town of Palermo was illuminated and Claudio Abbado revealed his strong Sicilian roots. Viewers of this concert, broadcasted on TV all across Europe, were inspired to see the maestro so relaxed, gesticulating so emphatically.
In February 2001 the Berliner Philharmoniker and Claudio Abbado were guests at the Accademia Nazionale di Santa Cecilia in Rome with all Beethoven symphonies. Their success was overwhelming with standing ovations after each performance. “Abbado, a Furtwängler admirer in principle, seems ever more Italian, his tauter lyricism allied to a sense of forward movement influenced, we are told, by period practice. The surprise is not the Mediterranean luminosity and scrupulous attention to instrumental detail - one expects nothing less from this source - but the animating sense of line. The Seventh Symphony… knows precisely where it's going and why… The sense of joy present throughout is overwhelming by the close.” - Gramophone Magazine.
Sony Classical releases a comprehensive homage to Abbado, acknowledged as one of the greatest of all conductors, by releasing a 39 CD boxset comprising his complete recordings for both RCA and CBS/Sony with the Berlin Philharmonic, the Chicago Symphony Orchestra as well as with the London Symphony Orchestra and featuring such stellar soloists as Murray Perahia, Martha Argerich, Midori, Cecile Licad and Lazar Berman.
Masters of Classical Music is an informative and captivating guide to twenty of the most important works in music history. Outtakes from the original scores within the documentaries, assist the viewer by making it easier to follow the music and to overall comprehend the structure of the works. The viewer will travel back in time to experience the birth places of these compositions and will thereby gain insight into the lives of the composers whilst receiving a thorough introduction to the works.