While Ebo Taylor's name is not familiar to most as one of the pioneers of Afro-beat, it should be. Taylor, the Ghanian composer, arranger, guitarist, and vocalist has been making music since the 1950s, and studied with Fela Kuti at the Eric Guilder School of Music in London from 1962 until 1965. Rather than go the solo path, he opted instead for Accra's studio scene, where he appeared on dozens of singles and albums . He cut a self-titled solo album in 1977 on the local label Essiebons. Tracks from it, another album entitled Conflict, and various singles have appeared in recent years on various European compilations. The Strut imprint, not content to let Taylor's name languish in obscurity, put its money where its mouth was, and paired him with the Afrobeat Academy of Berlin, which includes guitarist J. Whitefield of the Whitefield Brothers and various guests from Europe and Africa.
When people use the term "singer/songwriter" (often modified by the word "sensitive") in praise or in criticism, they're thinking of James Taylor. In the early '70s, when he appeared with his introspective songs, acoustic guitar, and calm, understated singing style, he mirrored a generation's emotional exhaustion after tumultuous times. Just as Bing Crosby's reassuring voice brought the country out of the Depression and through World War II, Taylor's eased the transition from '60s activism and its attendant frustrations into the less political, more inward-looking '70s.
”Live at the Troubadour” is a live album by Carole King and James Taylor released in 2010. The album was recorded at The Troubadour in West Hollywood in November 2007 to celebrate the venue's 50th anniversary. It was also the first venue that King and Taylor played together in November 1970. The album debuted at #4 in the United States with first-week sales of 78,000. This gives James Taylor a top 10 album in every decade since the 1970s and Carole King her first top 10 album since 1976.
Chip Taylor will probably always be known as the songwriter who wrote "Wild Thing" and "Angel of the Morning." Born John Wesley Voight (actor Jon Voight is his older brother), Taylor began playing country music while still in high school in Yonkers, New York. After finishing high school, he briefly took up his father's occupation, becoming a professional golfer.
Chicago-based guitarist Melvin Taylor is a star in Europe, but it may take some time for U.S. audiences to catch on to just how phenomenally talented a bluesman he is. Part of the problem for Taylor may be his own natural eclecticism. He's equally adept playing jazz or blues, but in the last few years, he's forged a name for himself as a blues guitarist with a slew of releases for Evidence Music. Taylor may well be the most talented new guitarist to come along since Stevie Ray Vaughan.
Released on LP in 1966, Cecil Taylor's Student Studies is an anomaly from his other recordings of the era. Not purely improvised, Taylor uses arranged sections and built-in segments for thematic and improvisational space. His meditations on short tonal studies and propulsive bursts of energy became signifiers of his later music. The band here, including Jimmy Lyons, bassist Alan Silva, and drummer Andrew Cyrille, registered with Taylor's fluid disciplinary approach to atonalism and dissonance, and found room to actually swing in. In fact, the influences Taylor spoke of most often during the era – Ellington, Bud Powell, and Mingus, can be traced here, if not heard outright.