A student and younger contemporary of Domenico Scarlatti on the Iberian peninsula, Portuguese composer Carlos de Seixas (1704-1742) wrote harpsichord sonatas in much the same vein as his teacher. Since precise dates for the compositions of either composer are hard to come by, it is even possible that the student might have influenced the teacher in some ways. His sonatas here don't harness the differentiation of texture to the new possibilities of harmonic rhythm in quite the precise ways that Scarlatti's do, and the multimovement structure of many of the sonatas makes them a little diffuse as compared with Scarlatti's.
Often described as one of Europe's foremost living composers, Hans Werner Henze could perhaps more accurately be described as Europe's greatest living composer. Born in 1926, Henze's career spans sixty years, his style encompasses everything from neo-classicism to post-modernism, his works include everything from grand operas to intimate quartets, and his music embraces everything from ecstatic lyricism to agonizing expressionism. In this disc devoted to his music for guitar, Henze's intimate, lyrical, neo-classical side is brilliantly on display from the achingly lovely Drei Tentos (Three Attempts) and Drei Fragmente nach Hölderlin (Three Fragments from Hölderlin) both from 1958 through the intensely dramatic Royal Winter Music from 1979 to the wildly eclectic Selbst- und Zweigespräche (Monologues and Dialogues) from 1985 and Neue Volkslieder und Hirtengesänge (New Folk Songs and Shepherd's Melodies) from 1986.
This speaking dictionary carries 1600 words and expressions useful in everyday talks, all organised in thematic groups, with playful tests. All the words are to read in Italian and Hungarian, with their grammatical category, and to listen in Italian. This software is part of a unique suite of language learning applications for your PC. The dictionary is easy to install and use on your desktop computer. It can be used of course not only by Hungarians.
One can only marvel at the huge number of melodies and texts from past centuries that have been preserved by folk tradition. 20th-century folk music collections abound with songs already known from earlier written sources, e.g. the Peer-, Paix-, Kájoni-, Vietorisz-codices, 17th-century songbook manuscripts, the Vásárhely Daloskönyv, different psalm collections, the Énekes poézis…